Showing posts with label Bill Hader. Show all posts
Showing posts with label Bill Hader. Show all posts

Saturday, April 4, 2009

ADVENTURELAND

Written and Directed by Greg Mottola
Starring Jesse Eisenberg, Kristen Stewart, Bill Hader, Kristen Wiig and Ryan Reynolds


James Brennan: I’m amazed at how small my pay cheque is.
Joel: Well, we are working the jobs of pathetic, lazy morons.

Step right up! Step right up! Toss the ring on to the milk bottle and win a giant panda for your sweetheart! Ring toss not your game? Throw a ball and knock the hat off the dummy then. Win yourself a stuffed banana with googley eyes! But if you’re really looking for high stakes risks, try this game on for size. Go to college; make plans for the summer between your graduation and start of graduate school; watch it all fall apart at the last second; and then get yourself a job running games at the dilapidated amusement park you used to frequent when you were a kid. See if you’re smiling at the end of that one. This game is just as impossible to win and the prizes are nearly just as lame. Yes, there is plenty of supposed adventure to be had inside the safe confines of ADVENTURELAND, the name of both the aforementioned amusement park and the new movie by Greg Mottola, but the real adventure is waiting outside the supposed greatest place on earth. You just don’t know it yet.


The premise just vaguely described is actually the plight of one James Brennan (Jesse Eisenberg, THE SQUID AND THE WHALE). Being a young man and therefore inevitably naïve, he thought he had everything figured out. He was ready for a summer trek through Europe. He was ready to get an apartment in New York City and attend grad school in the fall. He was ready for everything except for the unpredictability of life. ADVENTURELAND may take place in 1987 but not much has changed as far as lofty ambitions being crushed by the harshness of real life goes. And this is the lesson that James must learn in what is described as one of those summers where it seems like nothing significant really happens but yet in hindsight ends up being momentously character building. For the viewer though, there really isn’t that much happening in this slice of life picture. The kids go to work, they smoke a lot of drugs and they hang out at lame yet popular local spots. Fortunately, love is in the air to make everything go that much faster.


Eisenberg and his young love interest, Em Lewin (Kristen Stewart, TWILIGHT) are two talented and compelling young actors. It is their presence that carries ADVENTURELAND from mildly bland mediocrity to slightly elevated decency. I realize that this is hardly a compliment but the remaining characters are hardly developed and ADVENTURELAND is often extremely unadventurous. Still, this lack of activity is precisely what gives the film its meaning. James and Em have put their lives on hold as though they believe that have no other choice. Their lives are just another amusement park game that is rigged and cannot be won under any circumstances but yet they keep playing because they cannot see that there are other games, other parks, other lives just waiting for them to pursue. Their childish profession only further exaggerates their halted development but their introduction to each other’s lives shows them both possibilities they had never imagined. James is a sensitive guy who never gets the girl and Em doesn’t believe she deserves a guy like James. Yet here they both are, enjoying each other. How did this happen and what else is waiting?


Mottola, who struck it big Hollywood styles last time out with SUPERBAD, took a decidedly much quieter approach with his follow up and comparisons would be entirely unfair. Like the summer that changed everything but only did so in retrospect, ADVENTURELAND is an adventure that is only fully appreciated when you realize just how much of its tone and themes have stayed with you long after the park has shut down for the night. After all, the real adventure of life only comes once you stop trying to delay it with excuses and obligations and take the themes out of the park.

Sunday, April 20, 2008

FORGETTING SARAH MARSHALL

Written by Jason Segel
Directed by Nicholas Stoller
Starring Jason Segel, Kristen Bell, Mila Kunis, Russell Brand, Jonah Hill, Paul Rudd & Bill Hader


The writer/star of FORGETTING SARAH MARSHALL, Jason Segel, is the kind of artist who isn’t afraid to let it all hang out there for everyone to see and subsequently appreciate or pick apart. He writes his pain on to the screen and isn’t afraid to get naked on the path to true understanding. In the writer’s world, naked is a fairly obvious metaphor for vulnerability but here it just means nude. And so, as Segal’s penis flaps back and forth against his painfully pale body, moments before Sarah Marshall (Kristen Bell) breaks up with him, the Judd Apatow movie machine unleashes its latest raw comedy from the mind of the modern male.

This particular male is Peter Bretter (Segel), a slob who can barely pick up after himself but somehow manages to maintain a serious relationship with a gorgeous actress girlfriend and holds down a job as a composer for schlock television. He’s not unattractive nor without his charms but he does raise the question as to how he ever managed to get himself this well positioned. He also has no trouble at all finding numerous beautiful women to help him take his mind off Sarah. And while forgetting Sarah Marshall proves much more complicated than Peter had hoped - it doesn’t help that they have found themselves both at the same Hawaiian resort – he can at least have the last laugh by vilifying her as a horrible human being before the credits role. Without giving too much away, he will have the option, as the sympathetic character, to walk away happy but Sarah, as the heartbreaker, has been doomed since Hester Prynne was sent to prison with that darn scarlet letter across her chest.


If I were Apatow, I would be a little tired of hearing my name being attached to all of these projects. If anything, he should make sure to have a firmer hand in the process in the future. FORGETTING SARAH MARSHALL is not without the hilarity and genuine character development that his past productions have captured so poignantly but its bizarre subplots and many rushed moments make it somewhat forgettable.