Shearing the Oscars: Animated Feature

This is a big year for the Animated Feature Oscar. For the first year since it originated in 2001, there were enough films released in the Academy calendar year to warrant expanding the number of nominees from the usual three to the maximum five. With Pixar's UP leading the category as the frontrunner, the expansion might not lead to an unexpected winner but it has already brought about one of the year's biggest surprise nominations, the very little known, THE SECRET OF KELLS. The unexpected inclusion meant big studio hopeful CLOUDY WITH A CHANCE OF MEATBALLS and past winner, Hayao Miyazaki's PONYO were shut out. Let's take a look now at what did make the cut.

CORALINE


There is no denying the artistry of, CORALINE, Henry Selick's miniature epic. Not only is the stop-motion animation technique used so brilliantly, in both a creative and technical fashion, but the tale itself, based on the Neil Gaiman story, is genuinely original. While the film clearly connected with art enthusiasts and young girls, it may have been inherently too cold to remain fresh in voters' minds a year later. It has been honoured as one of the American Film Institute's Top 10 films of the year but this will not be Selick's year for Oscar as well

FANTASTIC MR. FOX


Wes Anderson's magical masterpiece, FANTASTIC MR. FOX, is the next biggest threat in this category. It is the only other nominee aside from UP to find its screenplay, co-written by Anderson and indie filmmaker, Noah Baumbach, honoured by critics' associations. The film's score, composed by Alexandre Desplat is also nominated for an Oscar. The National Board of Review even awarded Wes Anderson a special acheivement award for creating such a brave, new approach to animated film. All of these factors could push FOX past Pixar but it will have to dig a lot deeper still to get up as high as Pixar is.

THE PRINCESS AND THE FROG


Disney was pushing two films for this category aside from UP, the aforementioned PONYO and their first 2D animation in years, THE PRINCESS AND THE FROG. Between the two, the latter is certainly the easier choice. Unfortunately, in my opinion, while I do feel Disney was able to get back to its roots with their fresh take on this classic tale, they did not do anything past presenting their first African-American princess to modernize their tested formula. They even brought Randy Newman back to compose a few diddies and, nothing against the perfectly acceptable songs, the Academy honoured him as well. This is a safe entry but no actual threat.

THE SECRET OF KELLS


GKIDS, the U.S. distributor for THE SECRET OF KELLS, opened their mostly hand-drawn fable in one Los Angeles theatre for one little week last year so that their film could be eligible for Academy consideration. Once they passed that hurdle, they held Academy screenings and shipped out screeners but did nothing really more to push their film. As it somehow managed to score a nod alongside these other films with distributors with deep wallets, the film must be pretty good. I cannot say, personally, as I'm one of the millions who hasn't seen it. Although I doubt it can pull off the impossible and take the win here, it's planned spring release will definitely be much more fruitful than I'm sure GKIDS ever imagined.

UP


It is so easy to say great things about Pixar. I could not believe they pulled this one off, to be honest. And when I realized after seeing it that they had, I could not really believe I ever doubted them. Pixar hasn't always won over the hearts of the Academy though. MONSTERS INC lost the inaugural Animated Feature award to SHREK and CARS lost to HAPPY FEET in 2006. Those two weren't also nominated for Best Picture though. Besides, they have won four out of the last eight years so it isn't that a big a stretch to see them taking it a fifth time. It's no bigger stretch than a rickety old man and a boy scout flying high above the world in house attached to hundreds of helium balloons anyway.

WHAT WILL WIN? UP

WHAT MIGHT STILL WIN? FANTASTIC MR. FOX

Next up in Black Sheep's Academy Awards spotlight, it's time to get down to the written word and look at this year's nominees in the writing categories. That's next weekend. In the meantime, Black Sheep reposts full reviews for some of the nominated animated features all week.

The Tuesday Top 10: Most Horrifying Cartoon Characters

One of the things that appeals to me about doing a weekly Top 10 is the ability to think outside the box and go for topics that might not be strictly tied to horror movies, but more to horror in general. Case in point: this week's Tuesday Top 10, in which I am taking a look at the most frightening animated characters it's ever been my perverse pleasure to witness.

When considering candidates, I ruled out movies/shows intended only for grown-ups; it would've been too easy to collect a bunch of baddies from Heavy Metal, The Maxx, Wizards, etc. No, I thought it would be much more of a challenge to focus on characters that have actually scared the bejeezus out of little kids--in some cases, little B-Sol himself. Oh, the benefits of a horror-drenched childhood!

10. Cruella De Vil
101 Dalmations (1961)
She resembles a harpy, has vicious streaks of white through her hair, and her all-consuming goal in life is to slaughter a gigantic litter of puppies and use their skin to make a coat for herself. If that isn't the stuff of nightmares, then I don't know what is.

9. Gollum
The Hobbit (1977)
My fifth grade teacher thought it would be cool to show us this Rankin-Bass TV chestnut in class. Imagine my ten-year-old mind reeling at the sight of this bizarre, freakish thing. Still, this movie did kick off a lifelong Tolkien obsession. "Where there's a whip...there's a way!"

8. Maleficent
Sleeping Beauty (1959)
One of Disney's more underrated evil queens, I first came across her Satanic majesty at a double-feature of Sleeping Beauty and The Black Hole way back in Nineteen-Hundred and Eighty. I maintain this is one of the Mouse House's most boy-friendly features, and this shape-shifting bitch is one of the main reasons why.

7. Skeletor
He-Man and the Masters of the Universe (1983-85)
Kind of a no-brainer. He's a roided-out blue dude with a skull for a head. Even though he's voiced by the same guy who did the voice of that lovable Falcor in The Neverending Story, he still freaked the snot out of me every weekday afternoon after school...

6. The Apple Bonkers
Yellow Submarine (1968)
OK, I chalk this up mainly to being a really little kid, but good lord did these guys creep me the eff out. Towering, mindless drones dropping giant apples on people's heads and turning them to stone. "Smash them! Crash them! O-BLUE-TIRATE THEM!!" Shivers...

5. The Witch
Snow White and the Seven Dwarfs (1937)
She was pretty hot in a secret-BDSM-fantasy kinda way in her evil queen form, but once she transforms herself into that gnarled-up, bug-eyed old crone... permanent childhood trauma. Never realized how many nightmarish villains Disney cooked up...

4. Mumm-Ra
Thundercats (1985-87)
I know, I spent way too much time on weekday afternoons watching action cartoons instead of doing my homework. But how could I pass up a show in which the main villain was a jacked-up, maniacal mummy? Although I never remember hearing him say this. Would've ruled, though.

3. Gen. Woundwort
Watership Down (1978)
OK, do you see that picture over there? Do I need to say anything else? This flick was on constant rotation on HBO when my fam first got it in the early '80s, and this grizzled hideous old rabbit, kept me glued to the couch in terror. Or maybe that was just my mom's plastic couch coverings...?

2. Gargamel
Smurfs (1981-90)
A hideous wizard who tried relentlessly to track down a cute village of friendly, fun-loving little blue fairies. So he could cook and eat them. Maybe not as many kids deconstructed their cartoons as much as I did...

1. Other Mother
Coraline (2009)
My big regret is that I'll never know what it's like to experience the sublimely frightening Coraline as a child. But at least I got to vicariously experience it through my own progeny. And for my money, there has never been a more thoroughly soul-chilling creation to ever appear in an animated film than this grasping, malevolent, twisted perversion of motherhood. It just taps into the psyche on so many levels. Or at least my psyche. Paging Dr. Freud...

CORALINE

Written and Directed by Henry Selick
Voices by Dakota Fanning, Teri Hatcher, Jennifer Saunders, Dawn French and Ian McShane


Coraline Jones: How can you walk away from something and then come towards it?
Cat: Walk around the world.
Coraline Jones: Small world.

I am not now nor have I ever been a ten-year-old girl. As a result, it is not so easy for me to get my mind in line with the pony loving thought process of this particular demographic. I am however, an admirer of animation and artistry. I may have been down by one when I sat to watch, CORALINE, Henry Selick’s long awaited follow up to the delectable, THE NIGHTMARE BEFORE CHRISTMAS, but at least I was bringing something to the table. What Selick brought was so much more delicious though. CORALINE is a wondrous experience. Its intricate, stop-motion style is inspired and the first of its kind to be shot entirely in 3D. And while its extravagantly colorful range is most certainly captivating, I still sat there somewhat puzzled. This quirky adventure was certainly new but what did it all mean?


Based on cult-favorite, Neil Gaiman’s cherished novella, CORALINE is about a young girl who has just moved to what seems like the middle of nowhere. Her parents, while well intentioned, do not have time for her. Instead, all they have time for is figuring out how to pay their bills – an animated film for the new economic crisis plagued world. And so, little Coraline, a spunky twig of a character who is voiced with an impressively fresh child-like strength by Dakota Fanning, sets out to find her own place in the world. What she finds is an entire alternative universe, somewhere at the end of a tiny tunnel she stumbles upon in her new living room. It is the world she knows but everything is eerily different, seemingly better in every regard. The most strikingly odd thing about this new world though is how everyone has buttons for eyes and if Coraline wants to stay in this world where she gets everything she wants, then she too will have to have her eyes sewn shut. Dark? Definitely. It is also blatantly symbolic and yet it all remains unexplained. Of course nothing is what it appears to be. The grass isn’t always greener apparently, even though Selick paints it so.


I am torn here. I don’t like when filmmakers spell everything out to me but it doesn’t seem to me that CORALINE is rooted in anything seriously meaningful at all other than the aforementioned greener grass cliché. The truth is that it doesn’t genuinely have to have a deeper meaning. Perhaps if I could think like a little girl, I would just enjoy Coraline’s unexpected and exciting journey. Try as I might though, I cannot fully. I guess, in order for me personally to appreciate the depth all of this beautiful animation conjures for itself, I’d still like a little lesson learned with my children’s story.

WEEKEND BOX OFFICE: For Love and Horror

You would never know there was an economic crisis going on if you just looked at this year’s box office results. For the second week in a row, the highest drop off was just over 30% and that wasn’t even for the critically lambasted PINK PANTHER 2. No, there was plenty to celebrate this weekend with Valentine’s Day falling on the biggest date night of the week and FRIDAY THE 13TH returning to theatres just in time to have the release day coincide with the film’s title.


When the original FRIDAY THE 13TH opened in 1980, it cumed about $6 million and went on to take in a total of just under $40 million. This was big back then. Oh how far we have come as this latest relaunch of a franchise has amassed more than that in just one weekend. I’m sure once you take inflation into consideration, the original still has a lead but it won’t for long. Not only did this new installment debut on Friday the 13th to the best opening day of the year, it also had the added benefit of coming out in time for Valentine’s Day. Horror and comedy are the top favorite genres of couple on dates so it is no shocker to see this kind of response.


Keeping that in mind, it is also no surprise to see last week’s champ, HE'S JUST NOT THAT INTO YOU, hold on so strongly with just a 29% decline. In fact, its hold could account for the mediocre debut of CONFESSIONS OF A SHOPAHOLIC. The “Shopaholic” series by author, Sophie Kinsella, is immensely popular, much more so that the “He’s Just Not That Into You” book, but yet could not compete with the latter’s star power. Also, it might have hurt its chances given that spending irresponsibly is really not the direction the country is going in.


Tom Tykwer’s bid at the mainstream, THE INTERNATIONAL, had to settle for a 7th place start. Tykwer, famous for his cult classic, RUN LOLA RUN, put together a stylish thriller with top-notch actors (Clive Owen and Naomi Watts) but an overcomplicated plot bogged it down. Also, viewers might want to deal with the idea of corrupt banks just as much as foolish shopping habits. No, what viewers want these days is leftovers as both CORALINE and TAKEN saw declines under 10%. This kind of staying power is practically unheard of.


It’s the week before Oscar and all through the house, not creature was stirring except for SLUMDOG MILLIONAIRE. The front-runner for Best Picture is the only one out of the five nominees to place in the Top 10 this year. Clearly people are clamoring to see it before the big event as they assume it will inevitably be crowned king dog. The rest of the nominees fall in the following order: THE READER ($2 million, down 10%), THE CURIOUS CASE OF BENJAMIN BUTTON ($1.6 million, down 30%), MILK ($816K, down 27.5%) and FROST/NIXON ($473K, down 39%). Meanwhile, Oscar hopeful in the Foreign Language category, THE CLASS, continued to play well in limited release, pulling in $222K, for an increase of 23.5% over last week.

NEXT WEEK: I highly recommend you catch up on your Oscar pics as there certainly isn’t anything worth seeing in first run. Well, if you like teen comedies about jocks joining the cheerleading squad to score, you could see FIRED UP. Or if you like men in grandmother drag placed in awkward scenarios, you could check out TYLER PERRY’S MADEA GOES TO JAIL. I told you you’d want to stay home.

WEEKEND BOX OFFICE: We're Just That Into You

Valentine’s Day doesn’t come until next weekend but there was a lot of love at the box office this weekend. I couldn’t throw specific dates at you but I don’t recall the last time I saw such slight declines across the board in the Top 10. You just know that when a disappointment like THE UNINVITED drops off only 38% in its second week, something isn’t right.


Of course, the most love went to the impressive ensemble comedy, HE’S JUST NOT THAT INTO YOU. The film is based on a the popular novel of the same name, which was essentially based on one line of dialogue from the “Sex and the City” television series. All they need to do now is develop the film into a Broadway musical and then develop a film based on that and the cycle will be complete. I suppose there could be a book encapsulating the entire process. Or better still, maybe they could refer to it in the next “Sex and the City” movie. No matter really as the film, which was originally slated for last October, proved to be another hit for Jennifer Aniston, who, after MARLEY & ME, has finally found her box office stride.


The girl power generated from the romantic comedy’s success made its way down to kids too as CORALINE finally found its way to screens. This film was originally slated for release last year and surpassed industry expectations in its new weekend. Not only did the stop-motion animation film, based on the Neil Gaiman children’s book, play well to kids, it also played well to cult audiences who have been waiting for a new Henry Selick film ever since his last, THE NIGHTMARE BEFORE CHRISTMAS.


There was a lot more love shown to holdovers than any other new releases. Last week’s champ, TAKEN, found itself, uh, taking in another $20 million, off only 17% from last week. Liam Neeson, the action star – who knew? Maybe they’ll reissue DARKMAN to capitalize on his newfound action hero role. Hmm, probably not. Clint Eastwood couldn’t get any love from the Oscar people but GRAN TORINO continues to pull in solid cash, falling off less than 10% this week for a grand total of over $120 million. Kevin James must be laughing a lot harder than any of us are as I’m sure he never imagined that PAUL BLART: MALL COP would spend a month in the Top 5 and pass the $100 million mark, which it is sure to do by next weekend. And Best Picture favorite, SLUMDOG MILLIONAIRE continues to pull in droves of people desperate for hope. With only two weeks to go before the Oscar telecast, SLUMDOG MILLIONAIRE remains the only Best Picture nominee in the Top 10.


All that holding over left little room for THE PINK PANTHER 2 and PUSH to find their own love. The Steve Martin sequel opened about $8 million lower than its predecessor. I’d say that puts an end to this embarrassing series. And PUSH had a hard time getting past its limited run to find the wide X-MEN audience it so clearly was trying to rip off.

NEXT WEEK: Given the current economic climate, I’m not sure this film has the best timing but CONFESSIONS OF A SHOPAHOLIC will make the jump from page to screen. Tom Tykwer goes Hollywood with THE INTERNATIONAL, starring Clive Owen and Naomi Watts. And given that next Friday is the 13th, what better time could there be to release the FRIDAY THE 13TH remake?

Final Coraline Trailer Is the Best Yet

The last promotional clip for Neil Gaiman and Henry Selick's Coraline hit the net last night. According to Ain't It Cool News, it's Selick's personal favorite trailer, and it's pretty easy to see why. Here it is, enjoy:

All the Coraline You Can Handle

If you're like me, then you're anxiously anticipating the February release of Henry Selick and Neil Gaiman's Coraline. Of course, if you're like me, you're also afraid to wash your hair in the shower, have an affinity for pink Neccos, and are obsessed with Yma Sumac. But let's stay on-message. Coraline looks to be an excellent adaptation of a lauded Gaiman novel by the director who gave us The Nightmare Before Christmas.

Last night, the film's official website went live with loads of quirky content. This includes plenty of info on the movie itself, most of it in video form. There's also the requisite wallpapers, etc.--although unlike most movie-themes wallpaper, these are actually unobtrusive and don't suck at all. Plus, who wouldn't want to turn themselves into a creepy button-eyed person? I sure did:


Just try going back to sleep tonight when that sucker pops into your head at two in the morning, Vault Dwellers.

Anyway, my point is, if you're interested in the flick, check out Coraline.com. It's cooler than most movie websites. Catch you tomorrow. I've just been blown away by Let the Right One In, and hope to put up a review soon. Plus... the "Cyber-Horror Elite" will soon be making more elitist pronouncements... Stay tuned.

Neil Gaiman Discusses Coraline

Wired.com has some exclusive new footage from Henry Selick's stop-motion animated feature Coraline, based on the Hugo and Nebula award-winning novel by Neil Gaiman. The author also goes into detail on what makes this project so unique. You don't have to sell me on it. The writer of Sandman and the director of The Nightmare Before Christmas teaming up to create a twisted children's horror story? I'm in. Look for the movie in theaters in February. In the meantime, check this out:

Creepy Kids Rule!

Get ready goth boys and girls...from the man who brought you The Nightmare Before Christmas comes another stop-motion animated flick based on a warped children's book. That's right, Henry Selick, director of the Tim Burton-produced 1993 holiday classic has been hard at work adapting Neil Gaiman's Coraline, and Gaiman himself has just posted the first bit of footage on his website. Finally, a family movie I can be proud to take my progeny to see! Check it out below. Take that, Alvin & The Chipmunks!!

For the super hi-res Quicktime version, go here.