Black Sheep @ The Box Office

This is it, folks.  This is the last box office report for the summer of 2010.  Next week, Black Sheep will take a look at the summer as a whole, picking both the biggest winners and saddest losers.  Knowing how this summer performed though, I would say we're in for a bigger share of disappointment than success.

I think I just learnt this posture in yoga. I think it's called "Arching the Demon".

That said, this last weekend in August performed better than expected overall.  THE LAST EXORCISM and TAKERS both pulled in more than $21 million when neither was expected to come near $20 million to begin with.  With only $300K difference between them, THE LAST EXORCISM is a very tentative winner and final figures could see TAKERS, uh, take the top spot away.  The next three titles, THE EXPENDABLES, EAT PRAY LOVE and THE OTHER GUYS can all celebrate for each pulling in grand totals matching roughly what their estimated budgets were reported as ($80 million, $60 million and $100 million, respectively).  Meanwhile, the film with the slightest drop over last week is INCEPTION, which actually climbs back up two spots this week.  Below the Top 10, French import, MESRINE: KILLER INSTINCT opened to an adequate $5.4K average and $150K total and Robert Duvall's black comedy, GET LOW, continued its successful expansion, pulling in another $1.7 million this week for a $3.7 million total.  Finally, James Cameron's AVATAR: SPECIAL EDITION had to settle for 12th place this weekend, pulling in just $4 million on a little over 800 screens.  It isn't that shocking that the biggest film of all time missed the Top 10 in its first reissue considering there was a surprisingly sparse campaign behind it.  The extra cash has allowed it to surpass the $750 million mark domestically.

When are groups of guys on rooftops ever up to any good?

NEXT WEEK: George Clooney goes international on Wednesday in THE AMERICAN on over 2700 screens.  Drew Barrymore and Justin Long try the New York/L.A. thing in GOING THE DISTANCE on more than 2900 screens on Friday.  Also on Friday, Lindsay Lohan returns to the screen as a gun-toting nun in Robert Rodriguez's B-movie revival, MACHETE (2500 screens).

Source: Box Office Mojo

Yesterday's Action Hero, Today

An interview with

DOLPH LUNDGREN

for

THE EXPENDABLES

Everything I know about Dolph Lundgren from my childhood, I know because of my brother.  It was my brother who watched and rewatched action classics like UNIVERSAL SOLDIER and MASTERS OF THE UNIVERSE over and over again.  I merely caught whatever was on when I stumbled into the living room out of pure boredom.  For years, fans like my brother have been waiting to see a contemporary action star emerge that could blow the crap out of everything without calling in their stunt double to do the real dirty work.  I say, why wait for one though when you can have a whole slew of them right now?

Thanks to Sylvester Stallone, my brother can quit holding his breath and get in line for THE EXPENDABLES – a film about a band of mercenaries that infiltrate a tiny island to liberate its people from an oppressive dictatorship and destroy everything they possibly can while they’re at it.  Throwback premise aside, Stallone, who also wrote and directed the project, has assembled a list of bad boys that would frighten anyone into submission – from Jason Statham and Jet Li to Steve Austin and Randy Couture.  And sitting right near the top of this obscenely muscular heap is Captain Ivan Drago himself, Dolph Lundgren.

“I hope people will be entertained and I hope they appreciate a little old school tough guy camaraderie,” Lundgren tells me when we meet during his press stop in Toronto.  “Respect and honour – that’s what’s at the heart of this picture.  It may seem old fashioned but it’s important.”

And he’s right.  Respect and honour are the reason these misfits have stayed together all this time and also what gives the film some unexpected humanity and realism.  Stallone has his convictions; Statham is a loner trying to find something real; and Li is having a hard time making ends meet for his family.  Lundgren meanwhile, has found himself caught up in a narcotics addiction that has changed him from a fighting machine to a liability.

“In the originally script, he was a user but there was much more obvious evidence,” Lundgren confides. “They make a big deal of it but Stallone cleaned it up and made it more ambiguous.” Lundgren imagined his character, Gunner Jensen, in some sort of a hazy romp with hookers and drugs for days before we meet him on the crew’s first hostage mission, blitzed out of his head with an anti-tank gun in his hands.  “People might end up getting hurt,” he quips.

Lundgren didn’t want Gunner to come off one-sided though.  “For me, the big challenge was trying to make him a little funny.  Crazy, but at the same time a little bit charming, a little bit of a Dolph that people hadn’t seen so much of.”

The truth of it is, North American audiences haven’t seen much of Lundgren at all recently, let alone different “colours of his palette,” as he puts it.  With the buzz for THE EXPENDABLES being almost as loud as the film itself, it would seem that we could all be poised to see a lot more of Lundgren and the guys.

“As with ROCKY IV, I had no clue at all that was going to happen with that,” says Lundgren of the catapult to stardom that followed after Stallone gave him his first major break.  Can Stallone resurrect Lundgren’s career 25 years after he helped launch it?  “Stallone is a smart guy. The stuff that nobody believes in, he makes it happen in unbelievable ways.  He’s done it a few times and hopefully this will be one of them.”

THE EXPENDABLES certainly feels like an inevitable hit but it remains to be seen if a bunch of aging action heroes – and I say that with the full knowledge that any one of them could pummel me for doing so – can capture the attention of a generation brought up on action heroes that are a heck of a lot hotter than they are monstrously sized.

“It was a different era but I hope it comes back,” Lundgren says, with a tinge of vulnerability in his voice. “You have these older guys who still have this kind of persona, combined with the humour – that’s what Stallone hopes people are going to want to see.”

Well, that and a lot of big stuff getting blown up.