Showing posts with label Famous Monsters of Filmland. Show all posts
Showing posts with label Famous Monsters of Filmland. Show all posts

Wednesday, September 1, 2010

Hump-Day Harangue: Whither the Horror Movie Icon?

Vault dwellers, allow me to take you back to an earlier time in the history of our fair genre. Go ahead and hop in the Delorean--just watch your head on the door, I don't know what genius designed it that way, but what are you gonna do? Anyway, we're headed back to a simpler, more innocent time, when horror was dominated my living legends, by giants who walked among us and filled our minds with delicious nightmares, fusing their very personae with the essence of the genre itself. This is the age of the horror icon.

Our first stop is the 1920s, when a brilliant actor and makeup artist by the name of Lon Chaney became horror's first bona fide movie star. After his star faded and the industry entered the age of sound, Universal gave us the likes of Boris Karloff, Bela Lugosi and Lon's baby boy to continue the tradition, populating the terror landscape with a platoon of unforgettable movie monsters. In later decades, the likes of Peter Cushing, Christopher Lee and of course, the one and only Vincent Price ensured that the cult of the horror icon remained undead and well.

But then something happened. Something changed with the onset of what we now call the "modern era" of horror. For the benefit of creating a handy cutoff point, let's say that from the 1980s onward, the phenomenon of the horror movie icon suffered a swift decline. Sure, there were still actors making their living in the horror genre. But icons? In the sense of the folks mentioned above? Hardly.

Who have we been given over the course of the past 30 years to match the majesty of the likes of Karloff, Price, Cushing, et al? I ask this as an honest question. Am I, as I have sometimes been a accused of being, a horror snob? Forgive me if the Kane Hodders of the world just don't do it for me. I'll never get tired of looking at pictures of him pretending to choke people at horror conventions, but honestly, he's a stuntman in a hockey mask. A buoy with arms could've played Jason Voorhees. Robert Englund? A delight as Freddy Krueger, to be sure, but beyond that? A merely amusing character actor who would've remained best known as the "good alien" on V had it not been for that hat-wearing son of 100 maniacs.

Who else do we have? Doug Bradley? Tony Todd? Linda Blair? Maybe Brad Dourif comes close... I may be off-base here, but while these are all actors who have done a fine job crafting specific characters, I think even they would agree that they don't quite belong ranked in the category of the immortal legends of yesteryear mentioned earlier. Quite literally, they don't seem to make 'em like that anymore.

So what happened? What is it about modern horror that seems to inherently discourage the notion of the horror icon? Perhaps it is the stress on realism, the need to downplay the more obvious elements of showmanship and bombast that once played a larger role in genre entertainment. I firmly believe that horror films of the golden and silver ages of the 1920s-1960s were more "personality"-driven then they are today. Hell, I'd say that movies in general were more personality-driven back then, for better or for worse. Those larger-than-life figures have a hard time carving out their niches when the funner, "Famous Monsters of Filmland" approach to horror has come to be considered passe.

Quite frankly, these days, when we talk about horror film icons, it's easier to use the term to refer to directors than actors. After all, the true visionaries of horror these days, the names and personalities most closely linked to the genre in the minds of fans, are those of the likes of Dario Argento, John Carpenter, David Cronenberg, Wes Craven, George Romero, et al, rather than the actors who appear in front of the camera. This is a shift that has certainly occurred within the past 40 years, no question about it. But unfortunately, directors are more visionaries than personalities for the most part, so in the end it's a very different dynamic.

I'm not trying to say that the supernatural horror film has completely given way in the face of reality-based horror--far from it. There still remains more than enough room for monsters and entities of all shape and form, but whether we're talking serial killer flicks or zombie movies, there's a greater stress on realism, and I feel that realism, while it has its pluses, is decidedly the enemy of the horror film icon. There are standout characters, but for the most part, the actors who play them are linked pretty much 90% to one role alone. For the most part, Gunnar Hansen is Leatherface. Warwick Davis is Leprechaun. Clint Howard is the Ice Cream Man. Ahem, ok that one was a stretch, but you get the point.

They may have been before my time for the most part, but I miss those genuine, transcendent icons. Those individuals who literally embodied horror, and who in many ways towered over it. I hope we get to see more rise to that level one day. If they're out there, and I'm just not giving them their due, please put me in my place, by all means...

Tuesday, September 15, 2009

The Tuesday Top 10: Favorite Famous Monsters of Filmland Covers

I recently had the pleasure of rediscovering that great watershed publication of geek culture, Warren Publishing's Famous Monsters of Filmland. Basically, this mag, under the guidance of the one and only Forrest J. Ackerman, epitomized the "fun" approach to horror that I hold so dear to my heart. A large part of this was due to the vivid, amazing covers by brilliant artist Basil Gogos. Join me this week as I take a nostalgic trip through the FM archives to look at some of the most memorable....

10. #114 April 1975 (Godzilla/Rodan)


9. #99 January 1974 (The Wolf Man)


8. #225 Fall 1998 (Bride of Frankenstein)


7. #14 October 1961 (The Pit & The Pendulum)


6. #249 Fall 2008 (White Zombie)


5. #38 April 1966 (Curse of the Demon)


4. #16 March 1962 (Phantom of the Opera)


3. #109 June 1974 (Madhouse)


2. #9 November 1960 (London After Midnight)


1. #56 July 1969 (Death of Boris Karloff)

Saturday, December 6, 2008

Forrest J. Ackerman 1916-2008

One of the giants--if not the giant--of genre fandom has finally shuffled off his mortal coil. The venerable Forrest J. Ackerman; Uncle Forry; Dr. Acula; 4SJ; The Ackermonster--is no more. Last Thursday night, he slipped peacefully away, surrounded by friends, at the age of 92.

If you're reading this blog, you probably already know this, but Ackerman was the quintessential, original "fanboy", in 1958 founding the legendary magazine Famous Monsters of Filmland that ran for nearly a quarter century and literally gave birth to the modern phenomenon of horror/sci-fi/fantasy fandom as we know it. In fact, it was Forry who coined the term "sci-fi" in his early issues of FMOF. He inspired generations of "monster kids" in the '50s, '60s, '70s and '80s, and his influence continues to be felt.

Additionally, Ackerman had gathered together over his almost century of life the single most impressive collection of genre memorabilia on the planet. He enjoyed the friendship of everyone from H.P. Lovecraft to Harry Knowles. The man was literally a pop culture phenom all too himself, and the world is poorer for his passing.

For a truly amazing tribute, I direct you to Knowles' Ain't It Cool News, where you can check out tributes from Phil Tippett, Rick Baker and Paul Dini, as well as a moving final farewell written by Ackerman for Knowles five years ago, in anticipation of his death.

Most of Ackerman's heyday occurred before my time, but even though I grew up more in the era of Starlog/Fangoria, his was a name I always knew and respected--the godfather and president emeritus of the entire fan community. 

R.I.P. Uncle Forry.

Thursday, September 25, 2008

The Man Who Replaced Forry Ackerman

No matter what they tell you, it really is a small world, after all. Case in point: In recent months, I've been making my modest living picking up freelance projects here and there. And this week, courtesy of a worthy comrade from my WWE days, I had the pleasure of doing some work for Wine Enthusiast magazine in beautiful Westchester County.

The gentleman who contacted me about the job, and to whom I reported during my scant two days in their offices, was one Tim Moriarty, managing editor. Well, if I had been more of a student of the venerable Warren Publishing Company and the legendary Famous Monsters of Filmland magazine, I probably would've determined right away that Mr. Moriarty was one of Warren's editors, and in fact the man who took over for Forrest J. Ackerman as editor-in-chief of Famous Monsters (albeit for its final issue, pictured).

Being the boob that I am, I didn't discover this fact till I was almost out the door after completing my last day of work for Wine Enthusiast, mere hours ago. It's probably for the best--I don't know how much work I would've been able to get done if I had known earlier.

It started when one of the members of the staff was engaged in a conversation with Tim about old-school TV "horror hosts". Naturally, this drew me into the conversation. Then Tim casually mentioned that he worked for the company that published the Vampirella comics. Yes folks, Warren Publishing, the great horror comics house best known for its Eerie and Creepy titles of the '60s and '70s.

Little did Tim realize that he was speaking to the man behind The Vault of Horror--a fact of which I soon informed him. And as the day wound down, and we both were ready to hit the highway, we took a few minutes to chat about our love of the old Universal flicks, the classic giant monster movies, Hammer stuff (well, my love of the Hammer stuff), you name it.

So there I had been, for two days, working unknowingly for the last editor of Famous Monsters of Filmland--a bona fide "monster kid" from the golden era of monster fandom. And one who actually got to be a part of it all.