TIFF Review: I'M STILL HERE

Directed by Casey Affleck

Starring Joaquin Phoenix

Joaquin Phoenix: You’re going to look back on this and think you’re a fucking idiot.

This is what I get for not sitting down to write reviews as soon as I see the movie. I thought I had a little time to let this one simmer in my head, and there is plenty to let settle, but that just isn’t so. When I first sat to watch Casey Affleck’s directorial debut, a documentary chronicling the self-proclaimed lost years of Joaquin Phoenix, entitled I’M STILL HERE, I was completely taken in. I do not mean this to say that I felt duped. I was simply mesmerized by the debauchery and disaster that was unfolding before me. Whether it was real or not was not the point. The point was that it was fascinating.

A couple of years ago, Phoenix, an Academy Award nominated actor, famous for being moody and difficult, announced that he was retiring from acting in order to pursue his new passion, hip-hop. It was announced shortly thereafter that Pheonix’s brother-in-law, Affleck, would be documenting this transition for a film. Then came the rumours that this was all a hoax designed for the purposes of making a mockumentary. The hoax was neither denied nor confirmed and eventually, people just lost interest. Now that the film is being released though, it is no surprise to me that Phoenix has announced his return to acting and Affleck has announced that the film was in fact staged. If they hadn’t, I’m not sure Phoenix would have ever found work again after this film.

Not knowing whether or not Phoenix was putting on an act made watching I’M STILL HERE work on levels I never expected from it. Phoenix presents himself as the brooding actor that no one understands who now wants to break free of the public’s impressions of him, which he feels trapped by. When he struggles to break into the hip-hop world, he gets angry like a little boy who isn’t getting his way. He gripes about how he has dreams and that it isn’t fair that he shouldn’t be able to make them come true as if there aren’t millions of people on the planet who watch their dreams disappear every day. Don’t get me wrong; it is absolutely infuriating to indulge this spoiled dope head but, under the knowing eye of Affleck’s lens, Phoenix is making statements about celebrity that he doesn’t even know he’s making.

Only now we know that he did know exactly what he was saying. According to Affleck, only Phoenix, his agent and he knew that this was being put on. I have not seen the film again through this new perspective but I suspect that it might let all the air out of it. Watching Phoenix disintegrate on screen is at once repulsive but also disheartening. The way Affleck cuts it together, he doesn’t appear to be begging for sympathy but rather begging the question as to how we all got there. After all, it is our celebrity obsessed culture that created this monster. Letting us in on the joke though makes me think I’M STILL HERE might cease to be sharp commentary on a fame obsessed culture and just resort back to being just about Phoenix’s ego.

He will either ruin his career and ability to be a convincing actor after this or he will win an Academy Award.

TIFF'D: Wednesday, September 15

Day 7 is a strange day at TIFF for me.  It feels to some extent like the festival ended yesterday.  I have no more interviews.  There are only press screenings scheduled still for the next couple of days.  Past that, I will try to catch some public screenings if they’re not off sale.  The first half was insanity.  I ran around everywhere and had plenty to report on but with things dying down now, I don’t have nearly as much to do nor do I have as much to report on.  And to top it off, I have a full on head cold.

I figure I will just let you know what to expect from Black Sheep Reviews for the remainder of the festival.  Tomorrow will feature a re view of Danny Boyle’s 127 HOURS, the follow up to the Oscar winning phenomenon, SLUMDOG MILLIONAIRE.  That’s about it though.  I am seeing three movies tomorrow and as I really should be in bed instead of in a theatre, I will be taking it as easy as possible.

Friday will feature a special weekend edition of TIFF Bits.  The last weekend of the festival tends to bring back many festival favourites and I will do my best to steer you toward the best films playing in the last weekend of this incredible festival.  Getting tickets is your problem though. 

Friday will also feature a review of NEVER LET ME GO, which I will be seeing in just a half hour.  Saturday will feature the last TIFF review and it is for one of my favourites from the festival, Joaquin Phoenix documentary, I’M STILL HERE.

On the last day of TIFF, I will give you my recap of the entire experience and run down for you my Top 5 TIFF films as well as my choice for the worst film I caught at TIFF.  I still have about ten or s films before those choices are made and plan on doing my best for you in my now somewhat limited physical capacity.

Thanks again for all your support.

Happy TIFF!

TIFF BITS: Friday, September 10

Today marks two very important things.  The first important thing about today is that it is my friend, Christopher's birthday.  I wish I could be spending it with him but he is far and there is the whole matter of the second important things about today that is getting in the way.  Today marks the first full day of screenings at TIFF.  So, I wish you well, Christopher, but duty calls.

The duty I am referring to specifically is my obligation to attend the a screening of Darren Aronofsky's BLACK SWAN this morning.  I could not be more excited about that.  Hopefully, it lives up to my expectations.  Past that, I am interviewing the director of BIUTIFUL, Alejandro Gonzales Inarritu today. I'm a wee bit nervous for this given that he is such a prolific director; this is the man who gave us AMORES PERROS and BABEL after all.  As if that weren't enough, I am also interviewing the film's star, Javier Bardem, the Academy Award winning actor of NO COUNTRY FOR OLD MEN. Be sure to check out my TIFF'd video blog this evening for a full recap.

Now, as for you all, here's what you can expect at TIFF today.  Tonight's big galas are for Tom Hooper's THE KING'S SPEECH and David Schwimmer's TRUST, starring Catherine Keener and Clive Owen.  My full review for THE KING'S SPEECH is posted below and I am only seeing TRUST tomorrow morning so I can't really help you out there.  I can make these suggestions though:

BIUTIFUL

Winter Garden Theatre - 8:00

It isn't always easy to interview people when you don't like their movie.  Fortunately for me, I thoroughly enjoyed this Spanish language film.  Like most of Inarritu's work, it focuses on death and the kinds of perspective it gives you on your life.  Bardem is brilliant in the film and it lives up to its mispelled name in terms of aesthetics.  Both director and star are expected to attend this North American premiere.

I'M STILL HERE

Varsity Theatre - 10:00

I'm going to have to sleep on this one before I make up my full mind about it.  This is the Joaquin Phoenix documentary about his quitting acting and becoming a hip hop recording artist, as lensed by brother-in-law, Casey Affleck.  This documentary could be a hoax but the beauty of it is that you can never be sure as to whether it is or not.  It is vulgar, offensive, uncomfortable and oddly enlightening on the subjects of celebrity, ego and opportunity.  It will be released in theatres soon but check it out at TIFF if you get a chance.

Don't forget to check Black Sheep back at the end of the day for TIFF'd, a video blog about how the whole day went.  Please note that yesterday's TIFF'd had to come down due to some issues I was having with it.  They have been worked out though and video blogging commences again, if that's possible, today!

Bon cinema and happy TIFF!