Showing posts with label Jean-Marc Vallee. Show all posts
Showing posts with label Jean-Marc Vallee. Show all posts

Friday, December 18, 2009

Best of Black Sheep: THE YOUNG VICTORIA

Written by Julian Fellowes
Directed by Jean-Marc Vallee
Starring Emily Blunt, Ruper Friend, Paul Bettany and Miranda Richardson


Period pieces about royalty can often play out like chess games. The board is set as it always is with elaborately costumed pieces and these pieces are moved one by one into battle. Each piece moves in a specific fashion that is dictated by the rules of the game and cannot deviate from that plan. Experienced players know how to make this quiet game exciting while others move the pieces in predictable fashions toward an end that cannot come sooner. Sadly, Jean-Marc Vallee’s The Young Victoria is so conventional that he even has his young queen, played by Emily Blunt, playing an uneventful game of chess at one point. I swear, I thought up the metaphor before that though.


After delivering an incredible debut, C.R.A.Z.Y., in 2005, Vallee caught the attention of the international film scene. How else could he snag talent like Blunt or more importantly, executive producers like Martin Scorsese or Sarah Ferguson, the Duchess of York? What he put together though never rises above the level of functional. Victoria is a naïve but determined monarch. Naturally, every one around her, with either political or royal ties, wants to take advantage of her lack of experience. Victoria must reach into the crowd of hands constantly grabbing at her to take the one that she can trust. She can’t seem to figure out which one that is but it was pretty obvious from where I was sitting.


Blunt, who actually skips here and there to remind us that she really is a very young queen, does what she can with the part but to her detriment, screenwriter, Julian Fellowes, gives her very little to develop. Dress her up as fancy as you like, we’ve all seen this before and The Young Victoria becomes a reminder that Vallee is pretty young himself when it comes to directing.

Saturday, September 19, 2009

Black Sheep TIFF Review: THE YOUNG VICTORIA


Period pieces about royalty can often play out like chess games. The board is set as it always is with elaborately costumed pieces and these pieces are moved one by one into battle. Each piece moves in a specific fashion that is dictated by the rules of the game and cannot deviate from that plan. Experienced players know how to make this quiet game exciting while others move the pieces in predictable fashions toward an end that cannot come sooner. Sadly, Jean-Marc Vallee’s The Young Victoria is so conventional that he even has his young queen, played by Emily Blunt, playing an uneventful game of chess at one point. I swear, I thought up the metaphor before that though.


After delivering an incredible debut, C.R.A.Z.Y., in 2005, Vallee caught the attention of the international film scene. How else could he snag talent like Blunt or more importantly, executive producers like Martin Scorsese or Sarah Ferguson, the Duchess of York? What he put together though never rises above the level of functional. Victoria is a naïve but determined monarch. Naturally, every one around her, with either political or royal ties, wants to take advantage of her lack of experience. Victoria must reach into the crowd of hands constantly grabbing at her to take the one that she can trust. She can’t seem to figure out which one that is but it was pretty obvious from where I was sitting.


Blunt, who actually skips here and there to remind us that she really is a very young queen, does what she can with the part but to her detriment, screenwriter, Julian Fellowes, gives her very little to develop. Dress her up as fancy as you like, we’ve all seen this before and The Young Victoria becomes a reminder that Vallee is pretty young himself when it comes to directing.

Thursday, July 31, 2008

MOVIES WITH PRIDE


If it’s nearing the end of July in Montreal, there are two things you can be sure of. The first is that it’s likely heavy and muggy outside. The second is that the city is about to gather in support of its boisterous gay community with the pride parade and festivities just around the corner. Sweltering heat and thousands of gay men – that can only go in one direction.

In honour of the yearly celebration and the fact that it is supposed to rain all weekend, I thought I might share a few words about some of my favorite gay films. (Ladies, I apologize as these suggestions are entirely male centric.) You would think that after the success of BROKEBACK MOUNTAIN, there would be a plethora of recent material to choose from. Sadly, this is not the case. Still, a trip to your local video shop can provide oodles of choices.


In 1996, movies that were gay themed didn’t play at the multiplex. In fact, if this movie were to come out today, it would probably still only find playtime at the repertory house. I saw Hettie McDonald’s BEAUTIFUL THING at a tiny theatre that was packed full and it still holds a special place in my heart. Based on Jonathan Harvey’s play, BEAUTIFUL THING is about exactly that. Two boys, Jamie & Ste (Glen Barry and Scott Neal), live next door to each other in the London projects. They find themselves one night sleeping head to toe and everything changes between them. The beauty they share goes much deeper than their young, innocent looks. The deeper beauty is found in the naïve discovery of what love is and that it can actually be found between two men. The picture itself never leaps past its stage roots and hasn’t aged gracefully but it has not lost its heart. When the two boys run through a forest with abandon before falling into a passionate kiss, innocence and discovery meet and are married.


Flash-forward to four years later and you will find that sexuality is still somewhat taboo but with a cast this vast, it is clearly making inroads. These particular inroads are in West Hollywood and this particular cast includes Timothy Olyphant, Zach Braff, Dean Cain, Justin Theroux and John Mahoney. The movie is THE BROKEN HEARTS CLUB – A ROMANTIC COMEDY, a modern version of the seminal film, THE BOYS IN THE BAND, with slightly less self-loathing. This ensemble piece focuses on the ties that bond gay men together and turn them into an indispensable support network for each other. Common experiences like coming out and kissing a man for the first time are universal but while these friendships build confidence and self love, they also break it down with jealousy and smothering. From Greg Berlanti of “Dawson’s Creek” fame, the film does play out like a serialized drama but the performances and predicaments are so sincere that tears will flow for any one into a little sap.


While we’re heading down the road of cute, why don’t we travel across the country to a New York subway where aspiring musical writer, Gabriel (Christian Campbell) meets eyes with go-go boy, Mark (J.P. Pitoc). They stare and look away until it’s time for Gabriel to get off. Chancing it, Mark follows so that he might do the same. True to its title, TRICK is about two strangers who scour the city in search of a place where they can get down and naked. Here’s the kicker; they find something else entirely. What they find is that by spending all that time together without getting naked means you can actually get to know someone and if you try really hard not to try at all, you might actually spark. This modern romance is innocently told by director, Jim Fall and will inspire even the most dire of cynics, including this one (my therapist would be pleased). AND … AND … TRICK features Tori Spelling singing and tap dancing!


From one night to one full summer of love, the next film on the list is France’s PRESQUE RIEN (COME UNDONE). This is the most poetic and artistic of the bunch. It is calm and it takes its time to tell the story of Mathieu and Cédric (Jérémie Elkaim and Stéphane Rideau). These two beach beauties meet and fall in love in the way only a summer romance allows. It is what follows the summer that forces each of them to grow up much faster than they imagined they would have to. While the film is at times quite sensitive, it is at others quite steamy. The first time I saw the film was in a theatre and the projection went out of sync and into a half frame during a particularly intense beach scene. Let me assure you, I’d never heard so many men holler at the projectionist so quickly and so loudly. Still, director, Sebastien Lifshitz tells this story of first love with candor and insight, allowing for a beautifully paced and engrossing experience.


Staying with the language but leaving the country for a city I call home, the last film on a list that could include oh so many more wonderful gems is Montreal director, Jean-Marc Vallée’s C.R.A.Z.Y. This film hits particularly close to home in more than just its setting. It may be just another coming of age story to some but Vallée’s script is sweetened with so many beautiful flourishes of memory, the tiniest details described with a magnitude that exposes its creator as a man of grace and understanding. Zac Beaulieu (played as an adult by Marc-André Grondin) is the fourth of five brothers. His mother believes he has been blessed by God as a healer; his father simply believes he is special. Neither of his parents wants to accept what they see developing in him but Zac wants it even less. Even as a young child, he knows there’s something different, cannot identify what that is but knows he has to pray to God every night until it goes away. C.R.A.Z.Y is subtle, sincere and heartbreaking. It is certainly a standout Canadian film.

Like I said, the list could go on and on and with the rain that seems to be doing the same these days, there could be plenty of time to rent these fabulous films as well as, I don’t know, HEDWIG AND THE ANGRY INCH … or LILLIES … or THE VELVET GOLDMINE … or TARNATION … or MY OWN PRIVATE IDAHO … or THE CRYING GAME … or BROKEBACK MOUNTAIN, even. I think you get my point though, as colorful as it may be.