Showing posts with label Rebecca Miller. Show all posts
Showing posts with label Rebecca Miller. Show all posts

Tuesday, November 24, 2009

Best of Black Sheep: THE PRIVATE LIVES OF PIPPA LEE


Pippa Lee is a people pleaser. I get that; I do it all the time too. Still, while there is nothing wrong with considering the feelings of others, it does open the door to prioritize those feelings more than you would your own. Writer/Director, Rebecca Miller, has decided though that it is high time that her heroine take center stage in her own life and reveal the complicated, the repressed and yes even, THE PRIVATE LIVES OF PIPPA LEE.


Robin Wright Penn plays the particularly enigmatic Pippa Lee and she does so with such a tender regard for her plight. Pippa is middle-aged but yet she finds herself calling a retirement village her new home so that the needs of her aging husband (Alan Arkin) can be met with more ease. She allows her daughter (Zoe Kazan) to treat her like garbage. She even lets her friends completely abuse her trust and compassion. For no obviously apparent reason, as seems to be the most common reason in cases like these, her mind can take her inadvertent abuse no more and a younger Pippa Lee (played in flashbacks by the surprisingly focused, Blake Lively) fights furiously to take back control of her life.


Miller, who last directed her husband, Daniel Day-Lewis, in THE BALLAD OF JACK AND ROSE, has crafted a picture that is both poised and poignant. Thanks to her sensitive and delicate direction, the ensemble (rounded out by Keanu Reeves, Maria Bello, Winona Ryder and Julianne Moore) is able to create a circle around Wright Penn that is so strong and supportive, it allows for an actress who usually just fills out the circle to shine instead for a change. Subsequently, Pippa Lee gets the spotlight she has deserved all along.

Monday, September 14, 2009

Black Sheep TIFF Review: THE PRIVATE LIVES OF PIPPA LEE


Pippa Lee is a people pleaser. I get that; I do it all the time too. Still, while there is nothing wrong with considering the feelings of others, it does open the door to prioritize those feelings more than you would your own. Writer/Director, Rebecca Miller, has decided though that it is high time that her heroine take center stage in her own life and reveal the complicated, the repressed and yes even, THE PRIVATE LIVES OF PIPPA LEE.


Robin Wright Penn plays the particularly enigmatic Pippa Lee and she does so with such a tender regard for her plight. Pippa is middle-aged but yet she finds herself calling a retirement village her new home so that the needs of her aging husband (Alan Arkin) can be met with more ease. She allows her daughter (Zoe Kazan) to treat her like garbage. She even lets her friends completely abuse her trust and compassion. For no obviously apparent reason, as seems to be the most common reason in cases like these, her mind can take her inadvertent abuse no more and a younger Pippa Lee (played in flashbacks by the surprisingly focused, Blake Lively) fights furiously to take back control of her life.


Miller, who last directed her husband, Daniel Day-Lewis, in THE BALLAD OF JACK AND ROSE, has crafted a picture that is both poised and poignant. Thanks to her sensitive and delicate direction, the ensemble (rounded out by Keanu Reeves, Maria Bello, Winona Ryder and Julianne Moore) is able to create a circle around Wright Penn that is so strong and supportive, it allows for an actress who usually just fills out the circle to shine instead for a change. Subsequently, Pippa Lee gets the spotlight she has deserved all along.

Sunday, August 24, 2008

VICKY CRISTINA BARCELONA

Written and Directed by Woody Allen
Starring Javier Bardem, Scarlett Johansson, Rebecca Hall, Patricia Clarkson and Penelope Cruz


Marie Elena: Only unfulfilled love can be romantic.

What could be more romantic than a summer vacationing is Barcelona? You’re surrounded by art, history and breathtaking scenery. You meet people you’ve probably never met before and will most likely never see again. You can immerse yourself in an entirely different culture, learning something new about life and yourself with every passing day. Or, you can leave your every woe from your difficult life behind you and let it all fall away into the ocean. In Woody Allen’s latest, VICKY CRISTINA BARCELONA, Vicky and Cristina (Rebecca Hall and Scarlett Johansson) do just that. Vicky is going to learn while Cristina follows in hope of escape and before the summer is out both will learn that that which is inherently romantic is also inescapably complicated.


Vicky and Cristina are the kinds of friends that would likely not become friends if they met at this present moment but are good friends regardless because of a long and cherished history. Vicky is practical to a fault. Everything she does has purpose and function, including her fiancĂ©, Doug (Chris Messina, who played the same “I am everything that is wrong with America today” character at the end of “Six Feet Under”). Cristina cannot stomach settling into herself, as she can’t stand that self, so she recklessly pursues paths of abandon in hopes of finding solace. They are opposite in everything they do, right down to their hair colors, but they find one common interest while abroad, Juan Antonio (Javier Bardem), a painter with a dramatic reputation. Juan Antonio is a player but he isn’t playing. He’s unassumingly smooth and sexy in shirts and pants that are dressed down by playful sneakers. He is a passionate man and his provocative proposal to have both ladies join him for a weekend of food, music and lovemaking brings out the American prude in both Vicky and Cristina.


Still, the vacation does everybody good, including Allen himself. Stepping out of New York and into London for his (brief) return to form, MATCH POINT, rejuvenated a vision that was once great but had recently become monotonously unwieldy. Going to the Barcelona country sides for his 40th feature has a similar effect, in that his vision is refreshingly alive. Still, it is different than the London Allen of late. In Barcelona, it feels as if Allen were on his own vacation. This is Woody in sandals, a loose fitting tee and khakis. Sure, he’s still neurotically smothered in sun block but his grip on the film is relaxed, more organic. In fact, the film’s underlying criticism of American materialism and structure suggest that Allen is happy to be away for a while. Besides, if he weren’t overseas, he might not have had the chance to work with Penelope Cruz. Cruz plays Marie Elena, Juan Antonio’s ex-wife who tried to kill him before ultimately leaving him. Her insanity and is eluded to so often before she actually graces the screen that by the time she does, one shakes with anticipation for her arrival. Cruz’s presence is overwhelming, a tumultuous force that commands attention and can either destroy or nurture from one moment to the next. She elevates the overall quality of the film to exciting heights and it was already pretty great before she got there.


After years of troubled relationships both on and off screen, Allen is still going back for more despite it all. Having been around a few blocks though has given the man a fair amount of insight. He may not know what makes the perfect recipe but he’s still in the kitchen cooking because he knows that when you do get all the ingredients just right, you’re in for one hell of a good meal. He throws all of his characters into the fire knowing full well they will all get burned but that they will also all be better people for it. For all its complications, love or sex or however you choose to define your interaction with another human being (or with two or three for that matter) will ultimately transform you. The same can be said for VICKY CRISTINA BARCELONA, a flame well worth getting close to.