Wednesday, August 27, 2008

Dave the Chimp New Print


The nice folks at Planet Patrol have just released a screen print of Dave The Chimp's "Anatomy of Man" image

It's a three colour print on a heavy recycled brown paper
64 cms x 45 cms
embossed with the Planet Patrol logo, signed and numbered by Dave
and limited to just 60




http://www.planetpatrol.co.uk
http://www.davethechimp.co.uk

Tuesday, August 26, 2008

Is This Guy Obnoxious, or What?

An Indian moviegoer by the name of Pavin Ponanna apparently took Bollywood director Ram Gopal Varma at his word when Varma declared his new horror film Phoonk was so terrifying that no one could get through it alone.

According to entertainment website BuzzSugar, no sooner had Varma made the hyperbolic claim than Ponanna, obviously a man of some means, went out and spent a whopping 47,000 rupees (that's roughly $1,160) to buy all the seats for a matinée showing of Phoonk.

After watching the flick unspool for an hour and a half all by himself like a consummate jackass, Ponanna then commented, "I never felt scared, not even for a moment. I took just ten minutes to settle down."

While it may be true that the Indian exorcism flick isn't as scary as it's purported to be, that doesn't make Mr. Ponanna any less of a first-rate shmendrick. If you're feeling slighted, Mr. Varma, look at it this way: that's just another 47,000 rupees your movie grossed.

Phoonk (doesn't that sound like the noise Vader's helmet made when he lowered it onto his head in Empire Strikes Back?) opened last Friday throughout India and in other select theaters worldwide.

DVD Review: WHAT HAPPENS IN VEGAS

Written by Dana Fox
Directed by Tom Vaughan
Starring Ashton Kutcher, Cameron Diaz and Rob Corddry


What happens in Hollywood does not often happen in the real world. Where else but in a Hollywood would any judge find legal justification to sentence two people who got married on a drunken whim in Vegas to six months “hard marriage”? Nowhere, that’s where. However, if you can get past the ludicrous nature of the premise, you’re in for a much lighter sentence. Newlyweds, Cameron Diaz and Ashton Kutcher, are so darn likable that it’s pretty easy to look the other way (even easier when they make the view so pleasing on the eyes).


Kutcher and Diaz may be pretty; insightful though, they are not. The “Jackpot Edition” of this summer hit boasts a ton of extras, including a sit down with Ashton & Cameron, where they impart their infinite wisdom about relationships and just how insanely drunk one has to be to cross that line and marry a total stranger at your lowest moment. There are a number of finished deleted and extended scenes and a bloopers reel that essentially boils down to lots of cussing. But, wait! There’s more! Co-star Rob Corddry goes back to his satirical sketch roots with a purposefully horrible advertisement for legal advice (funny) while awkward cast member, Zach Galifianakis, interviews director Tom Vaughan (painfully unfunny). Ordinarily, I find director commentary on big budget Hollywood productions pretty unnecessary but Vaughan, along with editor, Matt Friedman, are so jovial that it is actually pretty entertaining to hear just how much stock photography they used.

It wouldn’t be Hollywood if Kutcher & Diaz didn’t both realize that the person they married might actually be their perfect match. All that WHAT HAPPENS IN VEGAS needs is Queen Latifah in some oddly suited, voice of reason role to give it some real kick. Oh wait, there she is.

FILM


DVD

Monday, August 25, 2008

A New Horrific Destination


I've never been one to shy away from encouraging a little healthy competition here at The Vault of Horror, especially when that "competition" comes in the form a loyal reader. In this case, the loyal reader is one Wes Fierce, and his hideously enjoyable new website is HorrorFilmMagazine.com.

Did you know that there is a horror icons fighting game floating around the net, in which you can battle as the likes of Freddy Krueger, Michael Myers, et al? And that it's free? I didn't either, until I read about it at HorrorFilmMagazine.com. There's sweet video, like Ellen Page's hysterical J-horror spoof from SNL, and classic trailers. Plus a boatload of other crap like forums and whatnot. Check it out, really, you won't be sorry. It's a chance to get in on something at the ground floor, so when HorrorFilmMagazine.com becomes the next Bloody-Disgusting, you can be all like, "Yeah, dude, I'm message board member number six!"


* * * * * * * * * *

Since I'm in a plugging mood, might as well say a little bit about my own site as well. I've gone to the trouble of adding some new functionality in recent weeks, so this is just a heads up. First off, there's now a playlist at the bottom of the posts, where you can listen to some themes from horror film and TV that are sure to get you all misty with nostalgia. Plus, I know there are so many of you out there who were wondering, "How, oh how, can I follow B-Sol on Twitter?" Well now there's a way, if you just take a gander at the sidebar to the right. In case you've never checked it out, there are always some noteworthy YouTube videos on display just a little further down from there (Vincent Price stuff at the moment). And I've also added a horror quiz and Lovecraft-themed video game just below the aforementioned playlist.

There's never an idle moment here in the Vault, kids. Reap the benefits.

Maschinen Krieger Robots


I love them so much I want to cry. Maschinen Krieger (Ma.K) is a universe created by Kow Yokoyama filled with robots and bio-suits that are so detailed (both designs and kit-models) that they became too expensive to manufacture. So whoever owns any originals are sitting on a small goldmine.....







My previous posts on Ma.K HERE & HERE.

See more amazing kits and images HERE.

Fixed Gear Tattoo


Oh dear.......

Sunday, August 24, 2008

Universal Names a Composer for The Wolf Man

Ain't It Cool News has broken a particularly cool bit of news this evening, namely that none other than Danny Elfman will be scoring the impending remake of Universal classic The Wolf Man, starring Benicio Del Toro.

Elfman is of course, one of the old war horses of movie scores, having plied his trade for nigh onto a quarter century. However, if I may throw a small monkey wrench into th geekworks here, he is not really known as a composer of "heavy" material. His work tends have a sort of quirky, oddball, whimsical feel to it, evidenced in flicks like Pee-Wee's Big Adventure and Beetle Juice. And really, the only straight-ahead horror movies he's ever scored have been Red Dragon, Sleepy Hollow and Nightbreed.

Nevertheless, his work can occasionally have a grim, foreboding feel to it, most famously in his iconic Batman theme. Hopefully, we get more of that and less of his trademark "la-la-la-la, la-la-la-la" stuff.

My personal choice would've been veteran Polish composer Wojciech Kilar, who knocked it out of the park in 1992 with the score for Bram Stoker's Dracula. Although he's been around since the '50s, Kilar made his name among American audiences with that stellar score. Surprisingly, the only horror score he's done since has been Roman Polanski's The Ninth Gate (1999). His epic creepiness and Central European flavor would've been dead-on. But Elfman's no slouch, I'll give him the benefit of the doubt. What say you people?

WEEKEND BOX OFFICE: Death Pulls Out of the Race


Ordinarily, a week with four major wide releases is unheard of. I suppose though when all four of those releases are not expected to do great business, there’s no harm in dumping them all at once. DEATH RACE, the one where Joan Allen slums it in a Jason Statham testosterone fest for a fat pay cheque, was expected to pull out in front but it was ultimately shut out by last week’s leftovers and a cute little Playboy bunny. Can you say emasculating?

The Ben Stiller comedy, TROPIC THUNDER stayed strong in first place. Out of the gate on Friday, the film was trailing the Anna Faris vehicle and unexpected box office draw, THE HOUSE BUNNY but a the boys came out in droves on Saturday, allowing for TROPIC THUNDER to pull out ahead. Still, THE HOUSE BUNNY take was better than expected, scoring the highest average of any film in release, and should move the very funny Faris up a few notches in the Hollywood standings. DEATH RACE trailed in third, earning a pretty mediocre $12 million. That’s double what his sleeper hit, THE BANK JOB, did last spring but people actually liked that one so I would expect this third place finish will be forgotten as soon as it steps off the podium next week.


This week’s other two wide releases barely registered. The Fred Durst directed, THE LONGSHOTS, in which Ice Cube coaches a little girl football team (can’t you hear the roar from the crowd?), barely broke the Top 10. At least he didn’t miss the Top 10 altogether, which for a major release, might as well mean you never had a release date. The Rainn Wilson vehicle, THE ROCKER, opened on Wednesday to get a head start and still came in last. The film’s average came in under a grand and it’s total of $2.75 million was only good enough for a 12th place finish. I’m pretty sure by Olympic standards, that means neither film even managed to qualify.

Woody Allen’s beautiful VICKY CRISTINA BARCELONA couldn’t hold on to its spot in the Top 10 but it did hold on to 80% of its audience. Coming in at number 11, the film earned an average of $4,339, higher than most in the Top 10, for a total of $3 million. The film is well on track to be Allen’s biggest hit since MATCH POINT and could even surpass that if its expansion goes well. Also below the Top 10 – and also starring Penelope Cruz for that matter – the dry satire, ELEGY (also starring Ben Kingsley), added 86 screens to its theatre count and shot up over 800%. It’s per screen average ($5,466) is second only to THE HOUSE BUNNY and it performed better than the expensive Focus Features Sundance acquisition, HAMLET 2. The Steve Coogan laugher opened softly on 103 screens before its wider release next week but only pulled in half the house, with an average $4,223. It’s going to need some major word of mouth in order to fill the seats next weekend.


Speaking of NEXT WEEK: More August dumping … Vin Diesel must save the world in BABYLON A.D. A bunch of unknowns go to COLLEGE. Don Cheadle jumps on the terrorist bandwagon in TRAITOR. And the guys who brought you EPIC MOVIE and MEET THE SPARTANS (and who apparently never do anything other than make spoof films) are back with DISASTER MOVIE, where everything just watched this summer gets spit on. When is someone going to spit on them, man?

VICKY CRISTINA BARCELONA

Written and Directed by Woody Allen
Starring Javier Bardem, Scarlett Johansson, Rebecca Hall, Patricia Clarkson and Penelope Cruz


Marie Elena: Only unfulfilled love can be romantic.

What could be more romantic than a summer vacationing is Barcelona? You’re surrounded by art, history and breathtaking scenery. You meet people you’ve probably never met before and will most likely never see again. You can immerse yourself in an entirely different culture, learning something new about life and yourself with every passing day. Or, you can leave your every woe from your difficult life behind you and let it all fall away into the ocean. In Woody Allen’s latest, VICKY CRISTINA BARCELONA, Vicky and Cristina (Rebecca Hall and Scarlett Johansson) do just that. Vicky is going to learn while Cristina follows in hope of escape and before the summer is out both will learn that that which is inherently romantic is also inescapably complicated.


Vicky and Cristina are the kinds of friends that would likely not become friends if they met at this present moment but are good friends regardless because of a long and cherished history. Vicky is practical to a fault. Everything she does has purpose and function, including her fiancĂ©, Doug (Chris Messina, who played the same “I am everything that is wrong with America today” character at the end of “Six Feet Under”). Cristina cannot stomach settling into herself, as she can’t stand that self, so she recklessly pursues paths of abandon in hopes of finding solace. They are opposite in everything they do, right down to their hair colors, but they find one common interest while abroad, Juan Antonio (Javier Bardem), a painter with a dramatic reputation. Juan Antonio is a player but he isn’t playing. He’s unassumingly smooth and sexy in shirts and pants that are dressed down by playful sneakers. He is a passionate man and his provocative proposal to have both ladies join him for a weekend of food, music and lovemaking brings out the American prude in both Vicky and Cristina.


Still, the vacation does everybody good, including Allen himself. Stepping out of New York and into London for his (brief) return to form, MATCH POINT, rejuvenated a vision that was once great but had recently become monotonously unwieldy. Going to the Barcelona country sides for his 40th feature has a similar effect, in that his vision is refreshingly alive. Still, it is different than the London Allen of late. In Barcelona, it feels as if Allen were on his own vacation. This is Woody in sandals, a loose fitting tee and khakis. Sure, he’s still neurotically smothered in sun block but his grip on the film is relaxed, more organic. In fact, the film’s underlying criticism of American materialism and structure suggest that Allen is happy to be away for a while. Besides, if he weren’t overseas, he might not have had the chance to work with Penelope Cruz. Cruz plays Marie Elena, Juan Antonio’s ex-wife who tried to kill him before ultimately leaving him. Her insanity and is eluded to so often before she actually graces the screen that by the time she does, one shakes with anticipation for her arrival. Cruz’s presence is overwhelming, a tumultuous force that commands attention and can either destroy or nurture from one moment to the next. She elevates the overall quality of the film to exciting heights and it was already pretty great before she got there.


After years of troubled relationships both on and off screen, Allen is still going back for more despite it all. Having been around a few blocks though has given the man a fair amount of insight. He may not know what makes the perfect recipe but he’s still in the kitchen cooking because he knows that when you do get all the ingredients just right, you’re in for one hell of a good meal. He throws all of his characters into the fire knowing full well they will all get burned but that they will also all be better people for it. For all its complications, love or sex or however you choose to define your interaction with another human being (or with two or three for that matter) will ultimately transform you. The same can be said for VICKY CRISTINA BARCELONA, a flame well worth getting close to.

Saturday, August 23, 2008

Cans Festival 2 Photos

Irie and I spent Friday documenting the day of preparation, filming the artists doing their thing. I went down today to take some photos. This is just a small sampler of all the work that was there. An amazing tunnel filled with incredible art!


Solo One & VOP crew


Elph


Astek


Rugman


Inkie


Mr Kern


Unknown


Word To Mother


Unknown


Unknown


Mao Mao


Will Barras


You can see more HERE and I'm sure all over Flickr in the near future!