Showing posts with label Chris Noth. Show all posts
Showing posts with label Chris Noth. Show all posts

Thursday, May 27, 2010

SEX AND THE CITY 2

Written and Directed by Michael Patrick King
Starring Sarah Jessica Parker, Kim Cattrall, Kristin Davis and Cynthia Nixon


Carrie Bradshaw: That’s the thing about tradition; when you’re not looking, it just sneaks in.

When I first discovered the “Sex and the City” television series, I saw it as a tiny, little gift from heaven.  This series about adult women looking for love and refusing to settle for anything less in the big, beautiful city of New York was as insightful as it was titillating.  Being a young, single person myself at the time, I drew a lot of inspiration from the character of Carrie Bradhsaw.  I know she’s fictitious and that her entire life is scripted but her pursuit of happiness, whether single or not, helped empower me to find strength as a single person as well.  It’s been six years roughly since the series closed and I’m sad to say, the show that once inspired so many lost single souls to find their way has officially lost its own.


SEX AND THE CITY 2 picks up the lives of Carrie, Miranda, Charlotte and Samantha (Sarah Jessica Parker, Cynthia Nixon, Kristin Davis and Kim Cattrall, respectively) two years after Mr. Big (Chris Noth) left Carrie at the alter only to have her channel her inner masochist and marry him anyway.  At the time, the four leading ladies had said that they would not have even considered the first movie unless the story was one that warranted being told.  I guess a “big” wedding is a natural progression of the story but I cannot see what exactly drew them back this time other than continued success in the only characters that have worked for them.  Carrie’s marriage is getting stale; Miranda’s job is stressing her out; Charlotte is having a hard time with motherhood; and Samantha struggles to remain sexual during menopause.  It seems to me that it isn’t her marriage going stale that Carrie should be worried about.


Writer/Director, Michael Patrick King directed some of the best episodes of the series but he needs the restrictions of television structure to control himself.  The first film ran way too long and this one is no different.  At a two and a half hour run time, even King knows that his old married people troubles are incredibly dull so he picks up the foursome and drops them in Abu Dhabi. Here, despite making respectful comments previously about the American economy, the ladies are immersed in extravagance.  They each have their own car, their own butler and three separate costume changes for one simple lunch in the desert.  Carrie runs into former lover, Aidan (John Corbett), in a market randomly (that may be the most understated usage of the word, “randomly” ever), and it isn’t long before she resorts back to being a 12-year-old.  Story, or at least a remotely believable one, is no longer a priority for King, it would seem. 


SEX AND THE CITY 2 is like getting together with friends you haven’t seen in a long time to catch up over brunch.  Sure, you’re happy to see them and sure you laugh some but when you leave, you know that your lives have grown apart and there is a reason you don’t see each other that often anymore.  I am still single, unlike three of the four characters in this film.  When I read on the screen that Carrie’s latest book was dedicated to all the former single girls out there, I couldn’t help but wonder if the show that once played like an anthem for modern singles everywhere had turned on its own and was now shunning those who hadn’t been lucky enough to fall in love.  What once made me feel like being single meant a world of possibility was now reminding me that time was running out.  And unfortunately, I had just wasted two and half hours of that time on this movie.

PS. Ladies, do not bring your men to see this movie.  You might have gotten away with it last time; this time, they may break up with you.



Sunday, September 28, 2008

DVD Review: SEX AND THE CITY

Written and Directed by Michael Patrick King
Starring Sarah Jessica Parker, Kristen Davis, Kim Cattrall, Cynthia Nixon and Chris Noth


The days leading up to the premiere of the SEX AND THE CITY movie were very exciting for me. I was about to get this chance to catch up with four fictional girlfriends who changed my life and whom I hadn’t seen in years. The morning of the press screening finally came and, seeing as how it was a morning screening, I couldn’t sit there with a constant flow of cosmopolitans. To compensate, I got all dressed up and threw on my new shoes to boot. I was bubbling over with nostalgia and an energy shared amongst millions of fans who were also overcome with anticipation. And then it started. Soon afterward, my disappointment set in. Here they all were, up on the big screen, looking fabulous and doing just as good a job as they did for six years on HBO. Only something was missing. Intimacy. Subtlety. These are elements of the series that defined it, that elevated it from groundbreaking to timeless. Bringing the girls to the big screen and stretching their story over 2 ½ hours made those moments fewer and further apart. Unfortunately, now that they’ve come home to our living rooms on DVD (with an unbelievable 20-minute longer extended cut that elevates SEX AND THE CITY to unnecessarily epic proportions), the experience is no more satisfying.


Of course, now I can have that martini while I watch. And, to be clear, I didn’t hate the movie. I just had high expectations. Writer/Director Michael Patrick King and the rest of the gang certainly set the bar high for themselves so I can hardly be held accountable for wanting to live up to that standard. I even found writing about the film after its release to be pretty difficult. I could not resolve how to convey my disappointment without making it seem like the entire project should not have happened. On the big screen, the six years of these girls’ lives was reduced to a three minute opening montage on the off chance that a non-fan would actually end up in the auditorium. That was followed by over two hours of episodic (read, non-filmic) storytelling that furthered the characters in mostly interesting ways. Just like the series though, I appreciated the development of every character save for the central heroine, Carrie Bradshaw (Sarah Jessica Parker). Her progress, on some bizarre level, reminds me of Frodo’s in the second LORD OF THE RINGS film – she starts out promising enough, goes through incredible trials and somehow at the end of a very long journey, ends up exactly where she started. (Bet you never imagined a SEX AND THE CITY/LORD OF THE RINGS comparison.) Growth is something I’ve come to expect and require from Carrie as she inspired so much of it in me and so many others. Watching her go backwards is just hard to accept.


Still, the film was an international success, finding some fans going back two and three times and the people behind the project clearly feel they did the series justice. They took four years between the series and the film because they wanted to ensure there was a strong story to be told so as not to disappoint the fans (this same explanation is being given for the potential of a sequel). The SEX AND THE CITY people know how tricky it is to stay in the public’s good graces and their appreciation of their audience is felt strongly on the 2-disc special edition DVD. MKP and SJP (King and Parker) share a 20-minute conversation about the experience that spans everything from performances to nuances and from fashion to fans. Costuming icon, Patricia Field, takes us on a tour of the unbelievable accessorized costume shop and overall design for the film that is elaborately daunting but well thought out in a surprising organic fashion. King returns for a commentary track that only further shows the sensitive side of the man behind the lens and how that sensibility finds its way into every frame. Before I knew it, my dismayed heart had turned, just a little. It just wasn’t enough for me to be completely carried away.

FILM


DVD

Thursday, May 29, 2008

SEX AND THE CITY

Written and Directed by Michael Patrick King
Starring Sarah Jessica Parker, Kim Cattrall, Kristen Davis, Cynthia Nixon and Chris Noth


Carrie Bradshaw: You know that this is a fairy tale, right sweetheart? Things don’t always work out like this in real life.

It’s important to state right away that I am a devout fan of the “Sex and the City” television series. I have seen the episodes countless times and they still tickle me almost as often as they touch me. Clearly, what you’re going to get out of the SEX AND THE CITY movie depends on what you’re going in with. For anyone who cares as much as I did, and there are more than enough in my boat to sink it, these girls have been sorely missed. It has been four years since the boy who called love, Mr. Big (Chris Noth) found a crumbling Carrie Bradshaw (Sarah Jessica Parker) in Paris and told her finally that she was the one. Subsequently, it has been just as much time since Carrie foolishly believed him capable of feeling such things and forewent all her single sensibility for a crapshoot she called love. (It figures the one part of the series I would not like would be its conclusion). Who cares though? I still want more. When the lights went down and the sounds of that familiar theme began to rise (albeit just as a sample in some overwrought Fergie song), my romantic heart sped up just a little and an inevitable smile took over my face. But as the credits gave way to a recap of the characters’ arcs whittled down to their barest bones, I couldn’t help but wonder, who does director, Michael Patrick King think is seeing this movie that doesn’t already know all of this as well as the fit of their favorite shoes?


If you were not a fan of the series, this film will do nothing for you but remind you why. If you were a fan, you may feel some varying degree of disappointment but you’ll still likely see it and love it more than once. How could you not? I was mildly disappointed and I still cried at least three times. I missed these girls. They kept me company on so many restless nights. Miranda (Cynthia Nixon) taught me how to let go of life long enough to let love in. Charlotte (Kristen Davis) taught me that you might not recognize love when it finally comes to you. Samantha (Kim Cattrall) taught me that old habits eventually need to be left behind if your life is ever to become what it could. And Carrie … oh, Carrie. Carrie taught me about the constant struggle to find happiness in yourself and your own life regardless of whether you’re fortunate enough to be sharing that with another person. So often did her poetic musings give me calm and resolve that the show became a necessary fix whenever I lost hope that love still knew where to find me.


Though the ladies may mean different things to different people, the need for the SEX AND THE CITY movie is palpable within its devoted fan base. The movie itself however creates none of its own urgency and does little to justify its own existence. Yes, I wanted the girls back but it would have been nice if they came back for a reason. Without divulging too much (as I believe the fate for spoiling this film is castration), the good times pick up again four years after we last left the streets of New York City. Miranda’s busy married life with Steve (David Eigenberg) has gotten stagnant; Charlotte lives in bliss with her husband Harry (Evan Handler) and their adopted girl, Lily; Samantha has made a life of monogamy and management with her young stud, Smith (Jason Lewis)in Los Angeles; and Carrie has somehow managed to domesticate Mr. Big, now known as John James Preston. It would even seem that they are headed toward wedded bliss. The big day comes though with expected big disasters and Carrie gets exactly what she should have seen coming all along.


As I was never happy that the quintessential single girl settled for a man who hurt her repeatedly and consistently, it was hard to feel satisfied watching her make the same mistakes on the big screen. On such a grand stage, I wanted to see Carrie blossom into the true state of confidence and individuality that her character was destined to, if only just to remind myself that I have that same capacity. Instead, her small screen magnificence only half fills the new digs and left me feeling rushed and unfinished instead of post-orgasm elation. And with the last round of cosmos now behind us, I got my much needed fix but I can’t tell whether SEX AND THE CITY (the movie) will keep the love flowing far into the future or finally put SEX AND THE CITY (the phenomenon) to rest.