BLU-TUESDAY ... September 29

It is the last release date for the month of September and certainly a big one at that. You can tell that distributors and retailers are setting themselves up for what they hope will be the holiday season that makes Blu-Ray a household staple. One of the biggest titles of the year, MONSTERS VS. ALIENS is out today. MANAGEMENT starring Jennifer Aniston was missed in theaters but hopes to find new love on BD. The surprising hit, FIREPROOF, with Kirk Cameron will grace many a Christian household. Cult classics, LABYRINTH and THE DARK CRYSTAL are now available. And SNAKES ON A PLANE finally makes its way to BD. There are three other titles that I'd like to highlight for you all this week. To get to them, we have to take a little stroll down the yellow brick road.




AWAY WE GO
Before we get to that, I'd like to recommend this heartwarming family comedy, AWAY WE GO, by director, Sam Mendes (Academy Award winner for AMERICAN BEAUTY). While still editing his offering from last year, REVOLUTIONARY ROAD, Mendes began pre-production work on AWAY WE GO, from writers, Dave Eggers and Vendela Vida. (Eggers would go on to co-write the upcoming WHERE THE WILD THINGS ARE). John Krasinski and Maya Rudolph are adorable together as a couple expecting their first child who do not know what city they should raise their family in. They travel around the country, even stopping north of the border in Montreal, in search of home and while, it is episodic, it is also good, genuine fun. For my full review of the film, click here.

SPECIAL FEATURES

- Commentary with Mendes, Eggers and Vida
- Making of featurette
- Green filmmaking featurette

THE WIZARD OF OZ


This is huge! One of the most beloved films of all time is now given one of the grandest BD releases to date. Thie four-disc set contains a good chunk of all the previous special feature material released on the numerous versions that have come before this one but also contains new features too to whet your appetite ... and justify the purchase for those who may already have it on DVD. The audio and video have also been completely restored and I've heard the results are as magical as one would expect from the merry old land of Oz. I cannot wait to get this one in my collection!

SPECIAL FEATURES

- Commentary with the late Sydney Pollack and Oz Historian (?), John Frick
- Interviews with cast and crew
- A tribute to Oz and a handful of other documentaries on the subject
- Jukebox, with outtakes and original recordings
- Still gallery
- Storybook
- Sing along option!


THE GIRLFRIEND EXPERIENCE
Earlier this year, I had the chance to catch the first of two Steven Soderbergh pictures being released this year, THE GIRLFRIEND EXPERIENCE, at the Tribeca Film Festival. I went on to interview both the director and the star, Sasha Grey. That interview would go on to be my first published for Canada's CBC Arts Online so this film holds a special place in my heart. The heart is an odd place to hold it as it is about a high priced escort facing the hard economic climate but it is also there for me because I truly loved the film. It is stylish without sacrifice of substance, a great experiment and success for Mr. Soderbergh. It is certainly one of his finest features and an excellent first offering in a year that also saw the release of the excellent THE INFORMANT!

SPECIAL FEATURES

- Unrated alternate cut
- Commentary with Soderbergh and Grey
- Featurette about the real girlfriend experience

For my interview with Soderbergh and Grey, click here.

Source: Blu-Ray.com

Black Sheep @ The Box Office: Summer 2009!

It is Labour Day today - a day in which no one actually labours too hard, likely because they already went too hard doing something else last night. And as we sit here and recover from our evenings, we are really recovering from the summer as a whole. It all starts back tomorrow, school and sweater weather, that is. The summer blockbusters will make way for pensive Academy fare and before we all put on out glasses and thinking caps, let us raise a glass one last time to the summer of 2009.

(Click on any of the highlighted titles to read the Black Sheep review.)


I wouldn't go so far as to say there is a clear winner at the box office for the summer of 2009 but it can be definitely narrowed down to three. To look at the Top 10 worldwide grosses above, the Top 3 easily outrank the rest of the Top 10 and for different reasons. TRANSFORMERS: REVENGE OF THE FALLEN, was the clear North American winner, pulling in just under $400 million during its summer run, from both regular and more expensive IMAX screens. The surprising international winner was the third installment of the ICE AGE series, pulling in over $640 million outside of North America. Despite these individual successes, one film did better combined and that was the sixth film in the HARRY POTTER series, proving that the franchise is nowhere near losing its magical touch and will likely ride it out through the remaining two installments. Fans were desperate for some Potter love as it had been over two years since the last film and the final book were released. Harry was due and he got his dues in return.


ANGELS AND DEMONS, the sequel to the infinitely more successful DA VINCI CODE, managed a surprise fourth place finish overall. This is the perfect example of how one film's disappointing domestic bow can be easily salvaged by international interest. International interest also saved TERMINATOR SALVATION and the second NIGHT AT THE MUSEUM even pulled in about $50 million overseas more than its domestic total. Contrarily, there are some films that perform significantly better domestically than elsewhere. The most notable example is STAR TREK. J.J. Abrams managed to successfully reboot the ancient franchise for North American audiences but did not drum nearly as much interest around the globe. It was still one of my favorite flicks this summer.


Men behaving badly left its usual mark on the summer box office, most notably with, the runaway success, THE HANGOVER, which performed well both domestically and internationally and the sequel is already in development. I'm not sure how many times we can watch these dopes get plastered and recreate their evenings but I wasn't sure anyone would care this time either so what do I know? Testosterone also fueled hits like Michael Mann's PUBLIC ENEMIES ($97 million in N.A.) and the summer kick starter, X-MEN ORIGINS: WOLVERINE. Meanwhile, the women continued to prove that summer time is just as much their time as it is the boys'. The Sandra Bullock/Ryan Reynolds romantic comedy, THE PROPOSAL did exceptionally well, with a grand domestic total of $161 million, making the it the 9th biggest domestic summer title out there. And the ladies also enjoyed THE UGLY TRUTH ($87.6 million) JULIE & JULIA ($80.6 Million) and THE TIME TRAVELER'S WIFE ($55.8 million). Granted those three films combined still come nowhere near what THE HANGOVER made, it is a strong showing nonetheless.


3D added a new dimension to the box office this summer. With a higher ticket price, late summer entry THE FINAL DESTINATION was able to open bigger than any of the previous films in the franchise and G-FORCE was able to cross the $100 million mark for Disney. There was no bigger 3D success this summer though than Pixar's first 3D effort, UP!. UP! pulled in over $290 million domestically, making it the third biggest film of the year so far and the second biggest Pixar film in their history, behind FINDING NEMO, the highest grossing animated film of all time. Pixar will be re-releasing their first hits TOY STORY and TOY STORY 2 in 3D as a double bill for a limited run in October to whet our appetite for their next 3D entry, 2010's TOY STORY 3.


There were no major bombs this summer but there were a number of disappointments. The biggest was certainly BRUNO, which grossed more than $60 million less than Sasha Baron Cohen's breakout, BORAT did and it fell fast, proving that Twitter and texting can kill you dead and it can kill you quick. Other disappointments include Judd Apatow's return to directing, FUNNY PEOPLE ($51 million), the Apatow produced, YEAR ONE ($43 million) and the Sam Raimi directed, DRAG ME TO HELL ($42 million). Incidentally, that last one was actually really good so don't let it slip past you when it is released to rent and own this October.


The summer is also a time for little art movies to rise past the big explosions and make miniature waves of their own. Sam Mendes's AWAY WE GO charmed adult audiences at the beginning of the summer, finishing with a total gross of $9.5 million. Oscar contender, THE HURT LOCKER beat the war movie curse by taking in $11.7 million in limited release. No film crossed over better though that the modern romantic comedy, (500) DAYS OF SUMMER, which allowed the whole world to fall in love with Zooey Deschanel right alongside Joseph Gordon-Levitt, to the tune of $28.4 million.


The final days of summer wound down with the reasonable launch of a new franchise based on a toy, G.I. JOE: THE RISE OF COBRA. The film pulled in about $141 million domestically and just about the same internationally. They aren't TRANSFORMERS size numbers but they will do for at least one sequel. Quentin Tarantino released what will go on to be the most successful film of his career with INGLORIOUS BASTERDS. The domestic total currently stands at $95 million and it will surely surpass the $107 million domestic gross of the Oscar winning, PULP FICTION. And then there was that phenomenal film about alien occupation on earth that many critics and moviegoers considered to be the best release of the summer, DISTRICT 9. The Neill Bloomkamp directed film has already taken in $103 million and Sony has greenlit not one but two sequels.


Overall, the 2009 worldwide summer box office took in over $10 billion, allowing it to surpass the records established two years ago. Apparently, the summer box office dollar is alive, well and in three dimensions.

Black Sheep's regular box office report will return next week.

Sources: Variety
Box Office Mojo

Black Sheep @ The Box Office: Transformers More Than Bleeds Us Dry

Earlier this week, Michael Bay was quoted in the press as saying he was disappointed with Paramount and Dreamworks’ promotion of his highly anticipate sequel, TRANFORMERS: REVENGE OF THE FALLEN. He felt that there wasn’t enough of it; that his film was being treated as some plain old sequel and not the event film he believed it to be. After pulling in over $200 million in just five days, subsequently tying THE DARK KNIGHT for fastest film to reach $200 million and far surpassing SPIDER-MAN 2 ($152 million) as the highest five day-opening in history, it would seem to me that any more money spent on promotion would have been completely unnecessary.


TRANSFORMERS: REVENGE OF THE FALLEN opened on Wednesday to the tune of $60 million, more than double what the TRANSFORMERS did in its opening day in 2007. This would have included over $16 million in midnight screenings the night before, second only to THE DARK KNIGHT. And with it’s near $30 million Thursday take, the film had already banked approximately $90 million before the weekend even began. As the first installment was a general crowd pleaser, it was expected that a lot of more casual filmgoers would have waited to catch the film on the weekend but the fanatics came out in droves during the week to ensure this mammoth success. Whereas critics were pretty much unanimous about not enjoying either film, fans were passionate about the last. This is not the case this time out. Fans of the first are split on the new one so a steeper than expected decline may follow next week. Still, the film captured one of the best global debuts of all time with a combined total of $387 million.


The week’s other major release did little to capitalize on counterprogramming. MY SISTER’S KEEPER, the movie that makes me teary during the trailers starring Cameron Diaz, opened in fifth place to a total of $12 million and an average of under $5K. Less than stellar reviews will likely urge many interested parties to wait for the rental. Meanwhile, a decidedly more upbeat romantic comedy, AWAY WE GO, has finally squeaked its way into the Top 10 this week. After adding over 360 screens, the Sam Mendes directed indie saw its earnings increase by over 93% over last week with an average of over $3K in its fourth week in theatres. Distributer, Focus Features, has been smart about its expansion technique and AWAY WE GO is now sitting comfortably as this summer’s light indie must see.


While the $26K per screen average of TRANSFORMERS: REVENGE OF THE FALLEN is certainly impressive for such a wide release, it is not the highest per screen average this weekend. That would belong to Kathryn Bigelow’s highly regarded THE HURT LOCKER. This may be one of the first Iraq war films to register with filmgoers, as is evident with its $36K per screen average coming from just 4 sites in all of North America. In other limited release news, the Stephen Frears directed CHERI, starring Michelle Pfeiffer, opened to a solid but not spectacular total gross of $400K on just 76 screens. And finally, Woody Allen's WHATEVER WORKS maintained a healthy $11K per screen average as it expanded to 35 screens, suggesting the reaction to the film is a good one.

NEXT WEEK: TRANSFORMERS will face serious competition next weekend, making its expected tumble all the more inevitable. Families will be packing the seats for ICE AGE: DAWN OF THE DINOSAURS (4000 screens) and will have the added bonus of higher ticket prices for the 3D screenings. And Michael Mann’s much anticipated Jon Dillinger biopic, PUBLIC ENEMIES, starring Johnny Depp, rolls out onto 3200 screens. Be sure to catch the Black Sheep review for PUBLIC ENEMIES coming mid week.

Source: Box Office Mojo

Black Sheep @ The Box Office: Yes, Sandra Bullock! We Will Marry You.

Albeit a premise that has been done many times before and despite a recently uneven track record for star, Sandra Bullock, North America has proclaimed a resounding, “Yes!” for THE PROPOSAL, as the comedy conquered all at the box office this weekend. I guess everybody loves a June wedding!


THE PROPOSAL had its rehearsal dinner last weekend, where a sneak preview allowed audiences to see the bride before the wedding. While that would ordinarily be considered bad luck, it was the complete opposite here. Like most marriages these days though, it will be the weeks to come that will show whether this marriage will make it to the golden years or end up in divorce.


The week’s other big release generated about as much interest as a high school history lesson. YEAR ONE starring Jack Black and Michael Cera as some of the first people to ever grace this good earth, pulled in a modest average of just under $7K per screen. I would call that historic and I’m fairly certain, it will soon be forgotten.


Meanwhile, the rest of the Top 10 continued to separate the men from the boys as THE HANGOVER, UP!, NIGHT AT THE MUSEUM 2 and STAR TREK all posted declines of 30% or lower. UP! is now in the perfect position to not only become this summer’s biggest hit (so far) but it will also most likely finish its run as the second most successful animated film of all time, behind another Pixar classic, FINDING NEMO.


Below the Top 10, summertime independent, AWAY WE GO continued its successful expansion, with a potential Top 10 appearance likely in the next couple of weeks. FOOD INC and MOON held up solidly, if not spectacularly, in their second weeks. It was Woody Allen though that made the big splash this weekend. After the summer success of his last film, VICKY CRISTINA BARCELONA, Allen returns this summer with his first New York City based film in years, WHATEVER WORKS, starring Larry David. WHATEVER WORKS, which will be reviewed by Black Sheep this week, opened on just nine screens (vs. almost 700 screens for VCB) but pulled in an average of over $31K on those screens for a total of $281K. The film expands next week and will try to match VCB’s $23 million domestic tally, the most for an Allen film is years.

NEXT WEEK: TRANSFORMERS 2 is expected to be the biggest thing this summer and it hits this Wednesday on more than 4000 screens. And you know you’re in trouble when the trailer almost makes you cry; Cameron Diaz returns to screens in MY SISTER’S KEEPER (2600 screens).

Source: Box Office Mojo

AWAY WE GO

Written by Dave Eggers and Vendela Vida
Directed by Sam Mendes
Starring John Krasinski and Maya Rudolph


Burt Farlander: I had a dream about Montreal last week.
Verona De Tessant: Was I topless in it?
Burt Farlander: Yes.

From the moment you see this dilapidated shack of a house, you think how could anyone live here? There is a light on inside so someone must live there. Who could possibly though? It looks as though it could fall in on itself at any moment. And then you see the inside. There is a tool and workstation in the bedroom! What hapless losers call this dump home? Well, that would be Burt Farlander and Verona De Tessant (John Krasinski and Maya Rudolph) and when you meet them, you realize instantly that they deserve so much better. They’re good people who are trying to find their place who haven’t realized yet that they don’t have to stay in one place to find it. They are also just now, both in their early 30’s, waking up to the reality of their adult life and seeing that they’ve got a lot more work to do than they thought. And so away they go in search of a real home in Sam Mendes’s AWAY WE GO.


It might have been the decrepit yet necessary space heater in the living room or the cardboard box that was doubling as a window in the kitchen but it was a lot more likely that it was Verona’s unexpected pregnancy that tipped the couple off. There comes a point in time in our lives when we can no longer just get by on our youthful charms, when we must take specific action to fashion our lives into something we can grow into security or a legacy. That time is now for Burt and Verona. After Burt’s parents (Catherine O’Hara and Jeff Daniels) inform the twosome that they are moving to Belgium for two years, they realize that there is no reason for them to continue living in Colorado as they were only doing so to be close to his parents. All too often, we resign ourselves to what we know and avoid venturing past our safety zones out of fear of the unknown or because of just plain complacency but Burt and Verona have just realized that there is nothing remotely safe about their particular zone. Worse yet, it isn’t home.


This charming road trip film is winning and touching despite its formulaic trappings. After leaving Colorado, Burt and Verona go to Phoenix, Madison and Miami. They even make their way north of the border to Montreal. At each spot, they visit with friends and family in hopes of feeling a connection that might make them want to move there. The premise is inherently episodic as each of these people they meet with has children already and they each have different approaches to proper parenting. There is always something to learn and Mendes does nothing to mask the transparency of their journey. What he does is allow seasoned character actors like O’Hara and Daniels, or Maggie Gyllenhaal, Alison Janney and Chris Messina to bring sincerity and depth to what would otherwise be hollow shells. And with the unavoidably likable Krasinski and the refreshingly honest Rudolph taking us on this ride, even long lulls on the road pass by like a breeze.


AWAY WE GO is the kind of film that makes me wish I had someone to get out there and look for a home with. Burt and Verona are something of a dying breed today. The love they have for each other is deep but practical and at no point in time does either take for granted that they will make it through to the other side without having to do a little work to get there. They also don’t take it all so seriously so as much as they work, they play just as hard. The way in which they play is what gives AWAY WE GO a warmth that I’ve only known from one place before … home.

WEEKEND BOX OFFICE: UP! Stays Up

The forecast did not look good on Friday. Before going into the weekend, prognosticators expected an easy second week win for Pixar’s latest hit, UP! It was then expected that Will Ferrell’s remake, LAND OF THE LOST, would follow in a distant second and R-rated comedy, THE HANGOVER, would post impressive but limited R-rated numbers. Then THE HANGOVER went and captured over $16 million on Friday to win the day and the title of second biggest R-rated comedy opening day in history (behind the $26.8 million one day haul SEX AND THE CITY took in last year). Suddenly the skies were not so clear for another UP! victory.


Ultimately, UP! won the weekend with a slight 35% decline. This marks the shortest second week decline for a Pixar picture since FINDING NEMO, which would eventually go on to become the top grossing G-rated movie of all time with just under $340 million. With no other significant family film or animated feature before the latest ICE AGE installment on July 1, UP! is in a great position to reach similar numbers to FINDING NEMO and will certainly surge past recent hits, WALL-E and RATATOUILLE.


Just because LAND OF THE LOST was being released on more screens, contained a PG-13 rating and starred Will Ferrell, people were expecting it to be the weekend’s big hit. Go figure. I would consider it a testament to a new audience intelligence that they didn’t just go see it because it was big and shiny but then again, they threw a ton of money at THE HANGOVER instead. To be fair, I actually thought THE HANGOVER, directed by Todd Phillips, who directed Ferrell in OLD SCHOOL, would be much better than it was and went to see it opening day as well. I found out very quickly just how sobering an experience it was. Warner Brothers is happy though. The unexpected success of THE HANGOVER affirms that it was the right decision to green light a sequel before the film even hit theatres.


No film came anywhere close to matching the per screen average of this week’s breakout art house success, AWAY WE GO. Directed by Sam Mendes (REVOLUTIONARY ROAD), AWAY WE GO follows John Krasinski and Maya Rudolph around the country as they search for a place to call home and raise their first child together. The simple and touching story received a mixed reaction from critics but audiences were drawn to it as it pulled in $143K on four screens for an average of nearly $36K per screen. The film will continue to unspool slowly in the weeks to come. Other notable limited releases include SERAPHINE, a French film by Martin Provost. The winner of seven Cesar Awards (the French equivalent of the Oscar), including Best Picture, SERAPHINE pulled in nearly $40K on six screens, for an average $6.5K. And proving further that she is box office poison, Mariah Carey starred in TENNESSEE and brought in a grand total of $10K on 15 screens (most of them actually in Tennessee) for a very un-diva like average of under a grand.


NEXT WEEK: Oh joy … Eddie Murphy is back in IMAGINE THAT (2800 screens). In this one, he bonds with his daughter because her imaginary friends have great stock tips. I enjoyed this premise the first time I saw it on “The Simpsons” when Homer was using Lisa for football tips. And aging A-listers, John Travolta and Denzel Washington go head to head in Tony Scott’s remake of THE TAKING OF PELHAM 123. On the smaller side of things, look for documentary, FOOD INC, Sam Rockwell vehicle, MOON and the latest Francis Ford Coppolla attempt to recapture his creditability, TETRO.

Source: Box Office Mojo

Black Sheep's Summer Longin' (Part One)

It’s gotten off to quite the start. Sure, WOLVERINE was pretty dull but STAR TREK blew our minds into warp speed before the momentum could be lost. Even ANGELS & DEMONS isn’t all that bad really. All in all, it is a pretty great summer movie season already and we’re still a good few weeks away from it actually being summer. And I’m excited! This doesn’t usually happen to me. I feel like I want to see it all. I even want to see that Sandra Bullock/Ryan Reynolds fake wedding movie. I’ve got summer fever apparently, which is better than swine flu, I suppose. Anyway, I’ve narrowed down the films I am most keyed up for down to 10 and the following is the first half …

UP! Written by Bob Peterson Directed by Pete Docter (MONSTERS INC) Co-Directed by Bob Peterson Voices by Edward Asner and Jordan Nagai Release Date 05/29
Don’t we love to watch people fail? Pixar has successfully released nine consecutive hits, both critically and financially and people are just waiting for them to trip up. At first, I thought the haters probably didn’t have much longer to wait with UP! Here you have a story about a 78-year-old man who wants nothing to do with society and decides it is high time he inflate the hundreds of balloons he’s got lying around with helium so he can leave it all on the ground. And who does this old man hang out with, albeit reluctantly, an 8-year-old boy scout. It all sounds potentially awkward and unfunny but the early reviews from Cannes are flying very high. If there’s one company I will always give the benefit of the doubt to, it’s Pixar. Bring on the old guy and his balloons already!



DEPARTURES Written by Kundo Kuyoma Directed by Yojiro Takita Starring Masahiro Motoki Release Date 05/29
I was concerned there would be WALTZ WITH BASHIR upset at the Oscars this year in the Foreign Language film category. Not that I didn’t like the animated documentary; I just really wanted to see THE CLASS take the Oscar home … that and I had THE CLASS on my Oscar poll. I was certainly surprised to hear that DEPARTURES would take the honour over both titles. And though I would likely never have noticed this film if it didn’t win the Oscar, I need to know why it won now. All I know about it is that an out of work cellist takes a job in funeral home preparing the dead for their viewings and that director, Takita, used to do porn. What more do you need to know though?



THE GIRLFRIEND EXPERIENCE Written by Brian Koppelman and David Levien Directed by Steven Soderbergh (CHE) Starring Sasha Grey and Chris Santos Release Date 05/22
To be honest, I can’t say that I am very excited about seeing this film but that’s pretty much because I already have seen it. I am actually just excited for everyone else to see it. I caught this film at the Tribeca Film Festival in a private press screening and had the privilege of meeting Mr. Soderbergh and Ms. Grey the next day for an interview. The interview itself will be published next week to coincide with the film’s release so you can soak it in all at once. Trust me, there is plenty to soak too in this behind the scenes look at what it takes to be a high priced escort in today’s crumbling economy. TGE is a very relevant, very timely picture that is not only fascinating but also sharp and brilliant to behold visually.



AWAY WE GO Written by Dave Eggers and Vendela Vida Directed by Sam Mendes (REVOLUTIONARY ROAD) Starring John Krasinski and Maya Rudolph Release Date 06/05
After winning an Oscar for AMERICAN BEAUTY, Sam Mendes has only had mixed success with his films. Some have even suggested that his accomplishments were a total fluke. He returns to cinemas this summer though with a decidedly different approach that may just remind people why they felt he had such promise to begin with. In AWAY WE GO, John Krasinski (“The Office”) and Maya Rudolph (“Saturday Night Live”) play an unmarried couple in their early thirties who are expecting their first child. With the ultimate responsibility coming on quickly, they realize that they haven’t really gotten a strong hold on this game called life just yet. So they set out to find a new place to call home so that they can grow into the capable adults they know they can be if they just put their minds to it. Its unpolished look and fresh screenplay could mean that Mendes is looking for a new place to call home himself.



WHATEVER WORKS Written and Directed by Woody Allen (VICKY CRISTINA BARCELONA) Starring Larry David and Evan Rachel Wood Release Date 06/19
We all know that Woody Allen is often hit or miss. Still, I always look forward to seeing which way it’s going to go. In this case though, there is the Larry David factor. David stresses me out ordinarily. However, a friend bought me a complete season of “Curb Your Enthusiasm” for my birthday and, much to my surprise, I actually enjoyed it. He still stressed me out but I got over my reluctance to watch him in anything so now I am ready for more. I actually think that Allen and David will make a perfect match; their social anxieties may just compliment each other brilliantly. The prospect of an inappropriate relationship between David and Evan Rachel Wood, a good forty-year gap, may be a little trickier though.



Part 2 of Black Sheep's Summer Longin' will be here tomorrow. Will you?