REVOLUTIONARY ROAD

Written by Justin Haythe
Directed by Sam Mendes
Starring Leonardo DiCaprio, Kate Winslet, Michael Shannon and Kathy Bates


John Givings: Now you’ve said it. Plenty of people are onto the emptiness but it takes real guts to see the hopelessness.

The drive from the train station is not that far. Once you get past the first stretch, home to local folk like plumbers, seamstresses and the like, you turn on to a quaint, quiet road. The house that will hopefully soon be the home to you and your children, present and future, sits atop its tiny slope, understated but proud. As you drive past the other homes, you see the people that inhabit them. The children run under sprinklers; the parents sit on their porches and enjoy their afternoon cocktails. They all look so happy, so home. This is what you need. This is what will make you happy too. This is Revolutionary Road. Only, it isn’t really that. What it is really, is Sam Mendes’ REVOLUTIONARY ROAD, and just like the pretty picture it paints, it isn’t as revelatory as it inherently suggests nor does it bring the happiness you thought it might.


Mendes has been down this particular road before. In the Oscar winning, AMERICAN BEAUTY, Mendes explored the trappings of suburban life. It was hardly revelatory when he did it then but screenwriter, Alan Ball’s unique take on the subject made it feel fresh and relevant. REVOLUTIONARY ROAD is based on Richard Yates’ 1961 novel of the same name. It tells the story of Frank and April Wheeler (Leonardo DiCaprio and Kate Winslet), the lovely, new couple who have bought the aforementioned house at the end of Revolutionary Road and who bring with them the promise of youth and vitality. You see, the Wheeler’s are special. Everyone has always said as much. Then they moved to Revolutionary Road. They made their house into a home and filled that home with two wonderful children. It was at this point that they realized that they may not truly be as special as everyone has always said, that perhaps they are not destined for anything greater than what they already have.


Leo and Kate are perfectly cast as the Wheeler’s. More than ten years after TITANIC, the pair are together again and now everyone gets to see exactly what might have happened if the couple had survived the boat going down. (I trust I gave nothing away there.) And while there is nothing romantic about their reunion, they are REVOTIONARY ROAD’s one true revelation. Winslet is remarkable. She is subtly but always at odds with herself inside. She wants to love her life, her husband, and on some level, she does. But she is also yearning and desperate to feel alive. DiCaprio is a bit shaky but while April’s hand is less than reassuring, Winslet’s hand lifts him and elevates his performance to nearly the same level as hers. To watch the two of them go back and forth between being hopeful for their futures and dismally resigned to a lifetime of unhappiness is a ride well worth taking and one that will certainly leave you dizzy by the time it comes to its harrowing close.


The problem with REVOLUTIONARY ROAD is that Mendes seems more concerned in presenting the Wheeler’s as a symbol for the greater point instead of allowing them to just be the relatable characters that they are. Frank and April are special. When we begin to buy into the idea that we are just like everyone else is when we become just like everyone else. When a film tries to make a point instead of just allowing the point to make itself is when a film takes on an importance it did not earn to start. REVOLUTIONARY ROAD could have been beautiful if it wasn’t trying so hard to be the biggest house on the block.

THE DAY THE EARTH STOOD STILL

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Written by David Scarpa
Directed by Scott Derrickson
Starring Keanu Reeves, Jennifer Connelly, Jaden Smith and Kathy Bates


Secretary of State: I represent the United States of America. Why have you come to our planet?
Klaatu: Your planet?

I don’t know about the earth standing still but I certainly had a hard time moving after this one finished. I think I may have been in shock. I didn’t know they still made movies as bad as this. That’s me, I guess; the eternal optimist, thinking one day Hollywood will see the error of their ways. I’m starting to think there’s a greater chance of aliens landing in Manhattan though. You don’t take a highly regarded classic like THE DAY THE EARTH STOOD STILL and update it for no reason other than to make a few bucks. Sure, you can pretend there is purpose; you can cash in on the current environmental crisis fears by insinuating that aliens have come to earth to save the planet from the horrifically unappreciative human race. When you make a film with such disregard for quality though, you can’t do anything to convince me that you actually care about what you’re trying to say.


I will give Hollywood this though; they have finally found the perfect vehicle for the now-veteran Hollywood actor, Keanu Reeves. Reeves plays Klaatu, an alien in human form who has no capacity of expressing human emotion or understanding the intricacies of human nature and interaction. It might as well say that at the top of Reeves’s resume so this is Reeves in his element. Honestly though, this is the first time I can say that Reeves’s presence in a film has absolutely nothing to do with why it is unwatchable. You know you have a problem when dialogue is so bad that it even drags Reeves’s acting down. In fact, having the familiar Reeves on board for this uneventful journey, alongside the strikingly beautiful, Jennifer Connelly, at least gives us something pretty to distract us from the banality of the entire affair. Klaatu certainly rocks that three-piece suit though.


The earth is supposed to stand still on this particular day because aliens have descended upon Central Park in a giant weather sphere of sorts. It is a momentous occasion, one that could be the sign of the end of days. Yet, in THE DAY THE EARTH STOOD STILL, panic hardly seems to be in the air. Panic comes from a fear of the unknown and an inability to see a solution to your problems but David Scarpa’s script is so painstakingly obvious and formulaic that you can see right through to the end at all times. I hope I’m not giving anything away here but as if this film would finish with humanity’s extinction. And when the devices used to create the melodrama are so laughably contrived (who knew that a white step mom and a black step son could have such hard times getting along?), at least you have the special effects to revel in. Mind you, when the special effects are even more ridiculous than the ensuing melodrama in a big sci-fi pic like this, what is there to keep you sitting still, let along standing?


You’ll never believe this but humanity, or at least the American government run portion of humanity, take immediate military action against the alien invaders before giving them the chance to make their case. This next bit is even more shocking. Apparently, violence is not the answer to solving our problems. I swear, I learned so many hard life lessons watching this movie. Perhaps the most important lesson though is that humanity will never learn. THE DAY THE EARTH STOOD STILL represents the same disposable and commercial interests that are the root of our environmental problems. Yet, here is it preaching against the very values that justify its existence. For that reason alone, I would consider this film to be one of the most hopeless (and hapless) films of the year. We’re essentially doomed so I say you can take it, Klaatu. Earth is all yours. We clearly don’t deserve it.