DUE DATE

Written by Alan R. Cohen, Alan Freedland, Adam Sztykiel and Todd Phillips

Directed by Todd Phillips

Starring Robert Down Jr., Zach Galifianakis and Michelle Monaghan

Ethan Tremblay: "Two and a Half Men" is the reason I wanted to become an actor - especially the second season.

Todd Phillips has been making male no-brainer comedies for quite some time now, with varied results. In 2008, he finally hit the jackpot, Vegas styles, with the international phenomenon THE HANGOVER. With that success, he took Zach Galifianakis’s bearded, beer-bellied buffoon and made him a comedy God in the eyes of guys everywhere and, while he was at it, made himself a bonafide player.

To the victor go the spoils and Phillips was certainly spoiled when he bagged everyone’s favorite charmer, Robert Downey Jr., opposite the aforementioned buffoon (Galifianakis) for his buddy road comedy, DUE DATE. He’s got the pedigree at his disposal – Downey Jr. doesn’t even have to try to get high-strung, expectant father, Peter Highman, down and even Galifianakis has been around enough blocks now to inject a little subtlety into his performance as wannabe actor, Ethan Tremblay – but, just like so much of Phillips’s past work, the antics are all too often just plain stupid instead of stupidly hilarious. It doesn’t help either that Ethan is so awkward at times that he goes from funny to the dreaded realm of uncomfortable.

To buy into DUE DATE, which has decent laughs but very few uproarious moments, you have to buy the really weak chain of events that sets the premise in motion. Peter ends up on a no-fly list after he and Ethan say words like “terrorist” and “bomb” a little too loud on a plane. Peter’s wife (Michelle Monaghan) is giving birth in a few days so he must get home somehow. With his wallet still on the plane, he must accept the offer to ride with Ethan and his masturbating dog, Sonny. Sure his wife could have certainly bought him a train ticket home on-line, but then we wouldn’t get to see these two polar opposites bond by living through several near-death experiences that wouldn’t have otherwise happened had they not gotten into this mess to begin with. Fortunately, the guys that Phillips is aiming for will buy into anything.

RELATED REVIEWS

(click to read)

THE HANGOVER

IRON MAN 2

IT'S KIND OF A FUNNY STORY

THE HANGOVER

Written by Jon Lucas and Scott Moore
Directed by Todd Phillips
Starring Bradley Cooper, Ed Helms, Zach Galafinakis and Heather Graham


Stu Price: Why are you peppering the steak? You don’t even know if tigers like pepper.
Alan Garner: Tigers love pepper. It’s cinnamon they don’t like.

I think its fair to say that anyone who will see THE HANGOVER knows the pain of waking up to the birds chirping cheerfully outside and the sun shining brightly through the curtains, all the while wishing that it would all go away so you can sink into the hell you brought upon yourself. I myself have certainly shuffled back and forth between my bed and the toilet more mornings that I care to recall. What I don’t understand though is why anyone who does know this excruciating pain would choose to visit it voluntarily on the big screen. While watching THE HANGOVER does not inspire the same kind of nausea as a night of serious drinking, it does capture the subdued tone of the dreaded morning after pretty well. I stopped drinking excessively specifically to avoid this tone and THE HANGOVER is nowhere near a good enough reason to go back there.


From the moment THE HANGOVER begins, the voice is unmistakable. A wedding is being set up, from the flowers at the ends of the aisles to the frilly icing on the cake. As we know that we are about to watch a buddy movie where four guys get wild and rowdy on a Las Vegas bachelor party, there is no question that director, Todd Phillips, is speaking distinctly to the men out there and that the beautiful floral arrangements and final wedding details are meant to be ridiculed. Look at how preposterous all these finishing touches are, men. Aren’t women completely out of their heads for spending so much time on all of this? Let’s go get drunk already. If you’re the type of man who thinks that tired and immensely ignorant setup is hilarious than you may very well love THE HANGOVER. After all, it isn’t long after this that you get to delight in the demonizing of women as every one we meet is controlling, manipulative and callous. It’s all very modern bride.


THE HANGOVER is not about the women though; it is all about the men and their bond. The trouble is that I didn’t see anything remotely redeeming about this sad pack of losers. The groom himself, Doug (Justin Bartha), is completely uninteresting but that doesn’t matter as he is misplaced for the majority of the film. His impending brother-in-law, Alan (Zach Galafinakis) is a fat, furry troll of a man who is socially inept to the point of extreme discomfort – painful awkwardness is always a pleasure to watch on screen. Doug’s buddy Phil (Bradley Cooper) is ruggedly handsome but he steals field trip money from his elementary school class to spend at the tables and has zero respect or appreciation for his wife and child so it isn’t so easy to find him endearing. In fact, the only one of the bunch that is remotely winning is Ed Helms as Stu Price. Of course, Stu is completely whipped so you’ve got to love the guy. Poor thing has to answer to someone else; it is so horrible that people should be expected to be held accountable to the person they claim to love.

Frankly, I couldn’t have cared less what happened to these guys as I wish that less guys like this actually existed. Really, how am I supposed to root for guys who are so dumb that they would leave a baby in a parked car alone? While Philips is savvy enough to structure THE HANGOVER so that we piece the mysterious evening together at the same time as they do, it all amounts to these unappealing characters going from scenario to extreme scenario asking people if they remember anything about their interactions from the night before. It also doesn’t amount to very many laughs so maybe the real hangover isn’t from a heavy night of drinking but rather an excessive indulgence in overdone average dumb guy comedy.

-