BLU-TUESDAY .. June 2

June is a little spotty from week to week when it comes to quality titles finding their way to Blu-Ray. The second though is certainly a strong start though. Romantic charmer, HE’S JUST NOT THAT INTO YOU, the fourth season of WEEDS and Spike Lee’s 2006 hit, INSIDE MAN all make their BD debuts. I am more intrigued by these though …

REVOLUTIONARY ROAD
There is no question in my mind. This film was far too harshly criticized upon its release late last year. The reunion of Kate Winslet and Leonardo DiCaprio as crumbling couple, Frank and April Wheeler, under the direction of AMERICAN BEAUTY director and Winslet’s husband, Sam Mendes was highly anticipated for all of these reasons. The subject matter though was too bitter for audiences to appreciate, including myself. Too much yelling perhaps. I decided to give it a second chance in theatres though and quickly saw the beauty behind the Wheeler’s marriage. It isn’t perfect but what marriage is? It is one of the most memorable film experiences of 2008 and I cannot wait to welcome the Wheeler’s into my home. It comes with …

- Dolby digital 5.1 surround sound
- Commentary with Mendes and screenwriter, Justin Haythe
- “Lives of Quiet Desperation” (making of)
- Deleted scenes


THE GRADUATE
There is a reason why this Mike Nichols classic is still taught in classes forty years after its initial release. Sure, it was far ahead of its time and contains some of the most memorable moments in film history but for me, it just feels alive. Nichols won the Oscar for his direction (the film itself lost in every single other category it was nominated for). His eye can be felt in every focus decision; his hands felt in each movement of the camera. Nichols is constantly thinking about how to push this story visually but never unaware of the incredible performances he pulled from a strapping, young Dustin Hoffman the title character and a radiant Anne Bancroft as the infamous, Mrs. Robinson. My only concern is that the film has been rushed onto BD. Details on the features are scarce and I’ve actually read that there may actually be none. In the meantime, this is all I know …

- 2-Disc set, including DVD copy
- HD Master Audio


DEFIANCE
This was another title that saw only modest returns in cinemas. The story itself is not the problem. In fact, the story itself is quite compelling and surprisingly original considering it is a WWII story. The Bielski brothers flee their homes after their parents are killed by Nazi supporters and find shelter in the forest. They run into about a thousand other fleeing Jews and stake their ground by setting up camp in the forest and fighting back against all who try to get at them. The trouble is that director, Edward Zwick (BLOOD DIAMOND) sensationalizes their bravery. He seems almost too proud to be telling this story of Jews fighting back; it is as though he knows the whole while that people will be surprised by what they are seeing. Still, by the time the film concludes, the story is left to speak for itself and, like I said before, it is a beautiful, story. Maybe Zwick’s commentary track will humble the whole experience. Also …

- “Defiance: Return to the Forest”

(don’t ask me what that is supposed to be)

WEEKEND BOX OFFICE: Paul Blart, Box Office King

Ah, January – the only time of year where a movie about an overweight mall cop can pull in over $30 million in its opening weekend and a film about a dog hotel can open, period.

PAUL BLART: MALL COP, the Kevin James vehicle, surpassed all expectations this weekend to debut atop the chart. Of course, that last statement implies that people had expectations to begin with. James even managed to take down Clint Eastwood, pulling in $10 million more than GRAN TORINO did in its second weekend of wide release. Neither actor has anything to complain about, mind you. James has proven in one single weekend that he can open a major film release and Eastwood has proven that the man is still one of the most impressive box office draws in Hollywood, at least when he is front of the camera and flaunting a shotgun.


The rest of the Top 5 continues to impress as four out of the five earned north of $20 million. The Martin Luther King holiday weekend saw a 31% increase over last year and that is only for the three-day regular weekend period. MY BLOODY VALENTINE 3D led the pack, charging right off the screen and into third place. The film’s average was slightly less than last week’s horror entry, THE UNBORN but still played solidly. Mind you, THE UNBORN dropped off 50% this weekend so I’m not sure MY BLOODY VALENTINE will still be around come Valentine’s Day. The Top 10 saw one other entry this week, the wide expansion of the Daniel Craig starring, DEFIANCE. The film earned a stable but unimpressive average of just over $5K for an eighth place finish. The awards contender has seen little support and is not expected to be an Oscar surprise.


Pulling in the highest per screen average of any film in release this weekend was NOTORIOUS, the life and death story of the Notorious B.I.G. This was only one of many reasons for the Fox people to celebrate this weekend. Last week’s Golden Globe winner for Best Motion Picture (drama), SLUMDOG MILLIONAIRE, narrowly surpassed fellow competitor, THE CURIOUS CASE OF BENJAMIN BUTTON, to sneak back into the Top 10 with a resurged five figure average. The film is a lock for a bunch of Oscar nominations so Slumdog’s millions will continue to roll in for weeks to come. Also, Fox Searchlight’s THE WRESTLER, fresh from winning two Golden Globes including Best Actor (drama) for Mickey Rourke, continued its slow expansion with an addition of 84 screens and saw another surge of over 100%.


In other Golden Globe news, Kate Winslet’s double win helped REVOLUTIONARY ROAD continue to expand solidly, increasing 22% over last week. Her Supporting Actress win for THE READER did not fare as well though. The film continues to perform decently but lost 90 screens this week and saw its returns fall off 9%. Awards season still has another month to go so some of the contenders need to pick it up. The Golden Globe winner for Best Foreign Language Film , WALTZ WITH BASHIR, fought the film’s controversy to increase 18% over last week. And the Golden Globe winner for Best Motion Picture (comedy), Woody Allen’s VICKY CRISTINA BARCELONA, tacked on another 50 screens and surged 112% despite its home video release being just a couple of weeks away.


NEXT WEEK: We shall see how this Thursday’s Oscar nominees shape the contender grosses, if at all. This is especially true for REVOLUTIONARY ROAD, THE WRESTLER, FROST/NIXON and SLUMDOG MILLIONAIRE, as all four jump into aggressive expansions in hopes that their film will be receiving many a nod this week. Even THE DARK KNIGHT returns for awards season, reappearing on over 200 screens and ensuring that it will cross the $1 billion mark internationally. As for brand new wide releases, look for Brandon Fraser in INKHEART, which seems awful close in premise to JOURNEY AT THE CENTER OF THE EARTH to me, and the latest installment in the now Kate Beckinsale-less franchise, UNDERWORLD: RISE OF THE LYCANS. Or don’t look for them; they don’t sound worth looking for to me.

DEFIANCE

Written by Clayton Frohman and Edward Zwick
Directed by Edward Zwick
Starring Daniel Craig, Live Schreiber and Jamie Bell


Viktor Panchenko: But Jews do not fight.
Tuvia Bielski: These Jews do.

DEFIANCE opens with what felt to me like an unintentional act of its own defiance. Black and white footage made to look archival, graces the screen in a harrowing montage. There are the screams of children being pulled away from their parents; there are the images of Nazis senselessly putting guns to the backs of people’s heads and pulling the triggers. There is even a score driven by the violin work of Joshua Bell that sounds an awful lot like the one in that Spielberg movie with the girl in the red coat. Director, Edward Zwick’s message is clear. He doesn’t want to talk about the holocaust. Why should he? We all already know the story there. In case we don’t, he is sure to throw in a few facts up on screen between the quick and horrible imagery. The holocaust is not the story he wants to tell. However, reducing the holocaust to a montage so that the audience is brought up to speed is such an offensive trivialization of a mind-blowing tragedy that it is a miracle that DEFIANCE ever manages to recover from its first few moments.


The story that Zwick is in such a rush to get to is actually well worth telling, just not worth the steps he took to get there. Daniel Craig, Live Schreiber and Jamie Bell are the Bielski brothers. The SS has killed their parents and most other siblings and they have sought refuge in a nearby forest. Before long, they run into a number of other people who have found themselves in the same situation. The numbers grow into a community and even though they barely have shelter to keep themselves warm through the winter and rarely get to eat more than a bowl of potato soup, they have something far more valuable; they have their freedom. As DEFIANCE is quite pleased to boast, the Bielski’s beautiful acts and the thousands of lives that were saved by these acts are the untold holocaust story. Unfortunately, the story itself isn’t told all that genuinely. Instead, Zwick, along with co-writer, Clayton Frohman, chooses to highlight conventional devices like brotherly alpha male conflicts instead of focusing on the gripping reality around them.


Like Zwick’s last offering, BLOOD DIAMOND, DEFIANCE is set in a dire situation to make the conventional plot points seem that much more horrific. It is the kind of movie that makes me wish it would have been better than it was as the story itself is quite moving. Somewhere in the middle of the lengthy stay in the forest, DEFIANCE finally finds its footing and allows the true bravery of the Bielski’s to shine. I only wish Zwick’s sense of satisfaction in being the first to show the Jews taking a stand and fighting back didn’t taint the whole thing. Oh, and I think someone should tell him that Spielberg beat him to that punch too.