Showing posts with label Earth. Show all posts
Showing posts with label Earth. Show all posts

Saturday, April 24, 2010

OCEANS

Written and Directed by Jacques Perrin and Jacques Cluzaud
Narrated by Pierce Brosnan


Narrator: Down here, it’s like nature has given everything a try.

I’ve never been particularly fascinated with the vast bodies of water known as the planet’s oceans. Sit me in a movie theatre though and immerse me in one of those bodies on the big screen and I may as well be a fish, because I won’t want to get out of the water. Disney Nature’s second environmentally friendly documentary in their Earth Day series, entitled OCEANS, sets out to do just that – to take the viewer by the hand and guide them through these foreign, fantastical waters so that all who take the plunge, emerge knowing that much more about how it feels to be a fish these days.


OCEANS, like any Disney film, is interested in making sure that everyone who sees it is enjoying themselves. When that approach applies to a documentary, it means ensuring that every child that sits in those theatre seats is taken in enough by what they see, so that they sit still in those seats until the credits roll. To do this, directors, Jacques Perrin and Jacques Cluzaud – no strangers to nature films themselves, after collaborating on 2001’s WINGED MIGRATION, a documentary about migratory patterns – place the viewer in the mind of a child, focusing more on who lives in the ocean instead of the ocean itself. Why go on incessantly about oceanic statistics when you can simply just sit in wonder and awe of every unbelievable image you see unfold? Even narrator, Pierce Brosnan, speaks in a slow, soothing tone throughout, careful to balance the drifting attention of a child without insulting the intelligence of the adults who brought them.



Striking that balance can be tricky but Perrin and Cluzaud accomplish their goal nicely for most of the underwater journey. Disney broke away from the structure that worked for them in their first nature release, EARTH, where they repurposed footage from the BBC series, “Planet Earth”. With OCEANS though, they captured some of the same situations that “Planet Earth” did for their segment on oceans, but it is an all-new film this time out, allowing OCEANS to feel much fresher than EARTH ever did. It is also a great second topic to explore as the oceans themselves, especially the depths, provide so many fascinating creatures that most people have never seen and some people won’t even believe are real. Some of the focus is lost when the green agenda is raised about an hour into the film but fortunately more time is spent admiring overall instead of preaching.



These two kids behind me did not stop asking their very patient mother questions throughout the film. If my mom had been there, I too would have been tugging at her blouse, asking, “What’s that, Mommy? What’s that!?” Well, I would have if I were still 10. Anyway, at first I wondered if maybe all of this was lost on them, but then I realized that questions mean interest and these two definitely had questions. More importantly though, they also had some very good laughs at just how crazy nature really can be. And while they may be laughing now, they will likely one day be tugging at their mother once again as they inevitably find themselves staring out into an ocean.




Monday, April 27, 2009

WEEKEND BOX OFFICE: Unreasonable Obsession


OK, I get it. You like Beyonce. Her songs are catchy; her body is rockin’. She is an all around tour de force. But really, does she really need to be a bankable movie star too? I don’t begrudge her every possible success but couldn’t you throw you support behind her for something a little less ridiculous than OBSESSED?


Even though it was panned by critics universally, or perhaps in spite of that, OBSESSED pulled in over $28 million to become April’s biggest opening for a thriller, beating out DISTURBIA, which pulled in over $22 million back in its day. This will mean many more film offers for Beyonce, who clearly has a strong following that are willing to cross over from downloading her music to dropping their money to gaze upon her on the big screen. As a result, another pretty face, Zac Efron, in 17 AGAIN, was forced down to second place with a 50% drop.



Many another film made its debut this week in the Top 10 but none did so very strongly. The most successful of the bunch was the fight movie, appropriately titled, FIGHTING. The film brought in the second highest average in the Top 10 but was originally expected to fight it out with OBSESSED for the top spot. Its third place finish is respectable but a disappointment. Coming in right behind in fourth was the delayed, THE SOLOIST. Joe Wright (ATONEMENT) directed this pedigree project, which stars Jamie Foxx and Robert Downey Jr. Good word of mouth could save it but adult fare is not faring too well these days (just ask STATE OF PLAY). And after its solid Earth Day debut, Disney’s EARTH came in fifth place for the weekend. Given that this is a repurposed documentary that many have already seen in its other incarnation, the BBC series, “Planet Earth”, I’d say its $14 million five-day take is definitely the strongest showing of these selections.


Below the Top 10, the much buzzed about documentary about boxer, Mike Tyson, again appropriately titled, TYSON, debuted on 11 screens to the tune of an average just under $8K. The film is being well received by critics and could play better to wider audiences in the weeks to come given the popularity of the subject. Meanwhile, the ensemble piece, THE INFORMERS, starring Kim Basinger, Mickey Rourke, Billy Bob Thornton and Winona Ryder (now, there are a bunch of misfits!) bombed its opening, pulling in a pathetic average of just $622 on nearly 500 screens. And the week’s best per screen average went to the documentary, NURSERY UNIVERSITY. The doc, which depicts the competitive world of nursery school admissions, opened on just one screen in all of North America and pulled in an average of $13K. I guess it was easier for parents interested in the topic to find a baby sitter for the night than a good school.

NEXT WEEK: Let the unofficial launch of summer officially begin with the release of X-MEN ORIGINS: WOLVERINE. Opening of over 4000 screens, it will be very interesting to see if that feature length leak from a month ago really has an effect or not on the theatrical gross. And if bladed mutants are not your thing, perhaps laughable romantic comedies starring Matthew McConaughey are. GHOSTS OF GIRLFRIENDS PAST, co-starring Jennifer Garner, opens on 3000+ screens.

Source: Box Office Mojo