The Tuesday Top 10: Favorite Twilight Zone Episodes

You don't need me to tell you how important and how incredible The Twilight Zone is. And I'm talking about Rod Serling's original here, not that decidedly average 1980s incarnation, or the recent abortion hosted by Forrest Whittaker. The original 1950s/1960s program is arguably the finest science fiction series of all time, rivaled in my opinion only by the original Star Trek and the new Battlestar Galactica. Yet it was also a horror-themed show, and in that category, nothing EVER touched The Twilight Zone.

During its run of only five years, the show produced one unforgettable episode after another, and pinning down ten faves is no mean feat. But here are the ten I most look forward to during the much-anticipated Fourth of July marathons on TV. You might agree, you might disagree, but remember, these are only my personal favorites, amongst a sea of classic eps...

10. Kick the Can (2/19/62)
In an episode recreated in inferior syrupy Speilberg fashion for the 1986 movie, a man in an old folks' home discovers a way for he and his friends to be young again. Their one bitter and cynical comrade ridicules them, and only realizes the error of his way when it's too late and he is left behind as an old man.

9. Living Doll (11/1/63)
How can I forget the great Telly Savalas, as an insecure stepfather being tortured by a vindictive, evil little doll? Legendary Looney Tunes/Jay Ward voice actress June Foray provides the creepy voice of "Talky Tina".

8. It's a Good Life (11/3/61)
Taken from an original short story by renowned sci-fi author Jerome Bixby, this is another one adapted in lesser fashion for the movie. Lost in Space's Billy Mumy plays the omnipotent little boy who wreaks havoc in a rural town. Has the distinction of being the only episode with a sequel, which appeared in the recent reboot series. Bixby also wrote several Star Trek eps, including "Mirror, Mirror".

7. To Serve Man (3/2/62)
Pulp sci-fi workhorse Damon Knight penned this one, a classic that's still grim, despite being parodied to great effect in the movie Airplane. Aliens come to Earth with a book entitled "To Serve Man"--but unfortunately, "IT'S A COOKBOOK!!"

6. The Midnight Sun (11/17/61)
Al Gore's worst nightmare, as the Earth begins to boil under the heat of an enlarging sun, moving closer in its orbit. The sense of claustrophobia is so palpable. And of course, we have one of the all-time classic twist endings, as our main character discovers she was only dreaming--in fact, the Earth is getting colder. Doh!

5. A World of Difference (3/11/60)
I always had a soft spot for this installment, about a man who really believes he is the character he plays on a TV show. In one of the classic openers, we approach it from his perspective, as his normal daily life is interrupted by a film crew yelling, "CUT!" Great stuff, and definitely pre-figured things like The Truman Show.

4. The Hitch-Hiker (1/22/60)
Adapted from a radio play originally performed by Orson Welles, this one always had a kind of Hitchcock feel to it for me. After a nasty car accident, a woman begins spotting the same mysterious hitch-hiker everywhere she drives. Turns out the hitcher is really Death, and the woman never survived the accident.

3. Eye of the Beholder (11/11/60)
For many, the most iconic episode of the series. A beautiful woman turns out to actually be disfigured in a world in which everyone appears as what we would consider to be hideous monsters. Such a classic summation of what The Twilight Zone was all about. Have to love this one.

2. Nightmare at 20,000 Feet (10/11/63)
Bill Shatner plays a terrified passenger who discovers a monstrous gremlin on the wing of an airplane in this, maybe the series' most famous episode. It was adapted from Richard Matheson's first published horror story, and probably the only episode that was actually improved in adaptation for the 1986 Twilight Zone movie.

1. Time Enough at Last (11/20/59)
Maybe it's because I have such a love for Burgess Meredith, or the fact that I always related to his character, being an avid reader mysef. This one will always be my favorite. Meredith's character is so sympathetic, and the horror of losing the one thing that would make the apocalypse bearable for him is truly gut-wrenching. There's something about the sad cruelty of it all that makes this episode stand out for me above all the others.

The Tuesday Top 10: Favorite Horror TV Series

My apologies for my relative absence as of late, but unfortunately life outside the Vault has taken its toll on ol' B-Sol. But just like the prodigal son I've returned, and I'm here with a brand new Tuesday Top 10. This time around, let's take a long, hard look at my all-time favorite horror TV series, shall we?

10. Masters of Horror
This Showtime original series gave us a set of short films from some of the greatest directors in horror history. Yes, it may have been uneven at times, but how can you knock an uncensored platform for guys like Dario Argento, John Carpenter and Stuart Gordon to do their thing?

9. Werewolf
For my money, one of the most underrated TV shows of the 1980s, this short-lived production of the early days of the FOX network took the format made popular in The Fugitive and The Incredible Hulk TV series, and adapted it to the lore of the lycanthrope.

8. Good vs. Evil
This richly original USA/Sci-Fi channel series (also known as G vs. E) was one of the most fresh, new and fun takes on horror comedy I've ever seen, and it's a shame it wasn't given much of a chance. Agents of God who take the form of Pulp Fiction-like bad-asses do battle with demons on the streets of L.A. Sold yet?

7. The X-Files
I never was one of this show's ardent fan base, but I can respect it for what it was, and the importance it played in putting supernatural-themed TV back on the map. I always liked it best, though, as a modern-day Kolchak, as opposed to when it got mired in its never-ending (and never resolved ) alien storyline.

6. The Night Stalker
And speaking of Kolchak, next up is everyone's favorite ornery dishevelled paranormal investigator disguised as a tabloid reporter. It might have been a terribly repetitious show, but it certainly knew how to take a juicy premise and run with it. And the zombie episode is still balls-to-the-wall terrifying.

5. Dark Shadows
Who can forget that creepy opening, with its eerie theme and dreary footage of waves crashing ominously on a rocky shore? This show embodied fear to me as a kid. And Jonathan Frid was superb as Barnabas Collins. Who knew a soap opera could be this bone-chillingly good?

4. True Blood
This HBO original really threw me for a loop--maybe it was Twilight shell-shock that had me assuming it would be a soapy, pretentious turd. But I was wrong, and this vampire series has proven that HBO still has some life left in it as a producer of the best stuff on TV.

3. Tales from the Crypt
Also from HBO, this brainchild of Richard Donner, Robert Zemeckis and Joel Silver perfectly captured the gallows humor and rich visuals of the classic 1950s horror comics. And in the process, the putrid Crypt Keeper became a cultural icon.

2. Dexter
Is it horror by the strictest definition? Probably not. But it centers on a serial killer, revels in graphic depictions of his kills, and plays with the line between good and evil, light and dark. So by my judgement, it goes in. Not to mention it's currently the best drama on television, period.

1. The Twilight Zone
After all these years, the top choice remains the same. In creating The Twilight Zone, Rod Serling gave the early medium of television one of the greatest gifts it ever got--a superbly written, dynamically acted and skillfully executed genre TV series. Mixing elements of sci-fi, fantasy, and of course horror, The Twilight Zone may very well be genre's finest TV moment, and it certainly is horror's.

For more on boob tube terror, check out my five-part history of horror on television:
Part 1: Fear Invades the Living Room
Part 2: Terror Comes of Age
Part 3: How to Scare Without Losing Sponsors
Part 4: Small-Screen Revolution
Part 5: Triumph of the Tube

* * * * * * * * * *

Congratulations are in order for the VoH's sister blog, Day of the Woman, which today reached its 100th post. In celebration of the event, head over there and check out the A-Z of Horror Movie Actresses, featuring 100 of the most memorable female stars of all time.

Rare Jerry Goldsmith Score Finally Released on CD

For all those like me, whose movie obsession includes a great affinity for film music, there's some great news for you, courtesy of Film Score Monthly. For the first time on an American CD, Jerry Goldsmith's eclectic score for the 1983 flick The Twilight Zone: The Movie has been released.

It's a very limited edition of 3,000 copies, but this is a big deal for one of horror filmdom's most sought-after scores, which hasn't seen the light of day domestically since the original LP release 25 years ago. From then till now, a 2000 European bootleg CD was the only other way for fans to hear one of the master's best pieces of music.

So get yourself over to Screen Archives Entertainment's site for a complete track list and some sample audio clips. Oh yeah, and you can order it there, too.

Pat Hingle 1924-2009

We start off the year with the loss of a prolific character actor, best known for playing Commissioner Gordon in the PolyGram Pictures Batman movie series of 1989-97. In fact, he was one of only two actors to play their roles in all four movies. But Pat Hingle's resume included roles in countless other films and TV shows, including several notable horror appearances.

Most notably of all, he starred in the 1963 Twilight Zone episode, "The Incredible World of Horace Ford". He also played in Stephen King's Maximum Overdrive, and the 1997 TV remake of The Shining.

In addition to his work in horror and B-flicks, Hingle co-starred in a plethora of major motion pictures, spanning the 1950s right up to recent years, including On the Waterfront, Splendor in the Grass, Hang 'Em High, Sudden Impact, Brewster's Millions, The Grifters, The Quick and the Dead, and Talladega Nights. He had a recurring role on Gunsmoke, and was Col. Parker in John Carpenter's 1979 TV movie Elvis.

Terror Comes of Age: A History of Horror TV, Part 2

The 1950s was a time of experimentation in television, during which the medium was stretching its wings and trying to figure out exactly what it wanted to be. Much of the early programming could be rather basic in approach and concept. But by the end of the decade, the onset of pre-taping technology allowed for a more cinematic style, and the programming began to mature.

For the horror genre, that maturation took the form of a truly groundbreaking show which to this day remains among the most well-known--if not the most well-known--genre program of any kind. Rod Serling's The Twilight Zone (1959-64) began as a rejected pilot submitted to CBS in 1958, which thankfully was reconsidered and greenlit the following year.

Mostly written by Serling, each episode was narrated by the writer himself, and utilized a brilliant formula that set the standard for all anthology shows to come. Blending elements of horror, science fiction and fantasy, The Twilight Zone presented tales of the bizarre and unsettling, in which nothing was as it seemed. The conclusion of each installment would bring a shocking twist that was sure to keep the audience coming back week after week.

In classic episodes such as "Time Enough at Last", "Eye of the Beholder", "To Serve Man", "The Hitchhiker" and "Terror at 20,000 Feet", genre elements were used to both comment on the culture of the day and creep the holy hell out of viewers. With Serling at the helm, The Twilight Zone was one of the best written, directed and acted shows ever seen on television, and remains a benchmark in genre entertainment.

Naturally, such a successful formula did not go unnoticed, and it wasn't without its imitators. And although devotees of the show may object passionately to its description as such, The Outer Limits (1963-65) was by far the best of them. Focusing more on sci-fi than The Twilight Zone, The Outer Limits still never failed to deliver nightmarish monsters each and every week, and its iconic opening ("There is nothing wrong with your television set. Do not attempt to adjust the picture...") is arguably even more famous than that of its higher profile counterpart.

As innovative as Twilight Zone and its copycats may have been, they still fell within the tried-and-true formula horror had stuck with since the birth of TV: anthology. But by the mid '60s, programmers were finally willing to try something different.

It began with a pair of horror-comedy series which both debuted in the fall of 1964: The Addams Family (ABC) and The Munsters (CBS). The former was based on Charles Addams' morbid series of New Yorker cartoons, which had by then been running for 30 years. The latter was produced by Universal, and spoofed their famous movie monsters by placing them in a family sitcom setting. Although both shows ran for only two seasons, they have since been immortalized in syndication (and now DVD), and will forever be inextricably linked in the popular consciousness.

Still, it remained for television to produce a serious, non-anthology horror series. Ironically, when it finally did, it was almost by accident. When Dark Shadows debuted on ABC in the summer of 1966, it was a gothic soap opera, airing in the afternoon. But a year into its run, it introduced the character of Barnabas Collins, played by Jonathan Frid, changing the landscape of the show and sending its ratings through the roof. The reason was that Collins was a vampire. From then on, the show took on a supernatural horror theme, thus adding teenagers to its traditional audience of housewives. The brainchild of horror TV maven Dan Curtis, Dark Shadows ran five days a week until the spring of 1971, comprising 1,245 episodes in total.

Although perhaps on the wane by the end of the decade, anthology TV was far from dead. In fact, six years after the end of The Twilight Zone, Rod Serling brought a color follow-up to the small screen: Night Gallery (1970-73). With a pilot episode that marked the directorial debut of Steven Spielberg, Night Gallery followed a similar format to the Zone, except that it often combined more than one story in a single episode. It also had less input from Serling, instead featuring short story adaptations. Unfortunately, Serling never matched the success of his first show, and was disappointed by his lack of control over the series.

With the level of sophistication for productions higher than ever, it looked for a time like the future of the genre on television was the made-for-TV movie. The late '60s and early '70s saw a bumper crop of quality examples. Among them was the 1968 adaptation of Dr. Jeckyll & Mr. Hyde, produced by Curtis and starring Jack Palance (they would resume their partnership with even greater results five years later.) A young Michael Douglas starred in the 1972 movie When Michael Calls, an ultra-creepy offering about a long-dead boy making contact with the living via telephone. Among the very best was Gargoyles (1972), featuring some of the earliest work of the late special effects legend Stan Winston.

By the early 1970s, horror on television had come a long way from the radio adaptations of 25 years prior. Nevertheless, it was facing an unprecedented challenge from a motion picture industry that was less restricted than ever before. Horror was changing, and although TV remained largely constrained by network censorship, it nevertheless found a way to stay relevant and innovative--as exemplified by a short-lived series that would prove to have a profound impact on the entire genre.

Other major shows:

• Thriller (1960-62)
• Late Night Horror (1967-68)
• The Sixth Sense (1972)

Soon to come: Part 3 - How to Scare Without Losing Sponsors

Part 1: Fear Invades the Living Room